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LT → Greek , English → Manos Hatzidakis → Κεμάλ → English

Manos Hatzidakis – Κεμάλ (English translation)

  • Artist: Manos Hatzidakis (Μάνος Χατζιδάκης, Manos Hadjidakis, Manos Hatsidakis)
  • Song: Κεμάλ
    5 translations
  • Translations: English #1 , #2, French , Portuguese , Turkish

Proofreading requested
English translation

Kemal

Versions: #1 #2
“listen” now to the story of Kemal
a young prince of the east
descendant of Sinbad the mariner
who believed he would “change” the world
but, bitter are the “intents” (plans, designs) of Allah
and “dark” the souls of humankind
 
In the Far East least of places
Once upon a time too long ago
A flask lay down empty
Water moldy all along
In town Mosul in town Basra
Ατ the old date palm tree
Weary now cry the children
of the desert ancestry
Only a youth of chosen legacy
only a scion of royal blood
Shrieks the mourning song of woe
and heads towards the old tree
 
Bedouin folk stare and wonder
With eyes full of misery
Oath to Allah he now binds them
Yearning years are about thy
Lords high mighty caught a glimpse
of the youth’s nigh bravery
Off they go the wrathful wretches
Wolves of envy Lions of sin
Two the rivers trailing heaven
Euphrates and Tigris both
Wide and wild goes the hunting
for the renegade son
 
On him falls the scourge like rabid
lithe unruly hounds of gore
Tied chained he meets the Hangman
Caliph’s vengeful horrid hand
Black the promise milk and honey
of the rushing morning scene
All for giving up his promise
Gasping one last final glee
Figures holding fast the shutters
Pair of camels red scarf wind
Prophet solemnly stands porter
Paradise now welcomes thy
 
Side by side high and low
clouds gather as they strove
If not only for Damascus’s
Soaring glory star of hope
A month and a year later
face they gaze to Allah
Who all knowing and all forceful
Speaks his truth to rash Sevah
My downtrodden dandy
come what may men don’t change
Whole cold steel and blazing fire
Realms of men are born to be
 
Sweet night to thee Kemal
This is how life shall ever be
 

Submitted by Isokratis on Mon, 31/05/2010 – 20:58
Thanks! thanked 9 times
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Greek

Κεμάλ

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More translations of “Κεμάλ”
English
azimut
English Isokratis
French
Smokey Meydan
Portuguese
Theo Bourliaskos
Turkish
notaprincess9

Manos Hatzidakis: Top 3
1. Ta paidia tou Peiraia
2. Sagapo (Σ αγαπώ)
3. T asteri tu voria (Τ αστέρι του βοριά)
See also
Greek:  Popular Artists | Popular Songs
English:  Popular Artists | Popular Songs
Greek → English:  All Translations

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Anatomy of Melancholy

"Like all men, he was given bad times in which to live." Borges

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« Too melancholy for words
Another by Gatsos »

Goodnight, Kemal

Monday, November 8, 2004 by Thomas

Perhaps the greatest Greek song lyricist was Nikos Gatsos (1911-1992). In his entire life, he only published one volume of poetry, Amorgos (1943), which nevertheless was extraordinarily influential for its use of surrealism with Greek elements. The rest of his life was devoted to theatrical translations, especially of Lorca, and to writing lyrics for composers like Theodorakis , Hadjidakis , and Xarhakos. An example of his lyrics, in English translation, is “ We Who Are Left “.

Thinking about what’s in store for the next four years, I remembered this song he wrote with Hadjidakis. I include the Greek lyrics as well. I have taken the translation from a Savina Yannatou CD and changed it. It is at times a strict and at times a free translation. At no time is it a very good one.

The italicised parts are spoken.

Ακούστε τώρα την ιστορία του Κεμάλ
ενός νεαρού πρίγκιπα της Ανατολής
απόγονου του Σεβάχ του Θαλασσινού
που νόμισε ότι μπορούσε ν’ αλλάξει τον κόσμο.
Αλλά πικρές οι βουλές του Αλλάχ
και σκοτεινές οι ψυχές των ανθρώπων…

Στης Ανατολής τα μέρη μια φορά κι έναν καιρό
ήταν άδειο το κεμέρι, μουχλιασμένο το νερό.
Στη Μοσούλη, στη Βασόρα, στην παλιά τη χουρμαδιά
πικραμένα κλαίνε τώρα της ερήμου τα παιδιά.
Κι ένας νέος από σόι και γενιά βασιλική
αγροικάει το μοιρολόι και τραβάει κατά κει.
Τον κοιτάν οι βεδουίνοι με ματιά λυπητερή
κι όρκο στον Αλλάχ τους δίνει πως θ’ αλλάξουν οι καιροί.

Σαν ακούσαν οι αρχόντοι του παιδιού την αφοβιά
ξεκινάν με λύκου δόντι και με λιονταριού προβιά.
Απ’ τον Τίγρη στον Ευφράτη κι απ’ τη γη στον ουρανό
κυνηγάν τον αποστάτη να τον πιάσουν ζωντανό.
Πέφτουν πάνω του τα στίφη σαν ακράτητα σκυλιά
και τον πάνε στο Χαλίφη να του βάλει τη θηλιά.
Μαύρο μέλι, μαύρο γάλα ήπιε ‘κείνο το πρωί
πριν αφήσει στην κρεμάλα τη στερνή του την πνοή.

Με δυο γέρικες καμήλες, μ’ ένα κόκκινο φαρί
στου παράδεισου τις πύλες ο προφήτης καρτερεί.
Πάνε τώρα χέρι-χέρι κι είναι γύρω συννεφιά
μα της Δαμασκού τ’ αστέρι τους κρατούσε συντροφιά.
Σ’ ένα μήνα, σ’ ένα χρόνο βλέπουν μπρος τους τον Αλλάχ
που απ’ τον ψηλό του θρόνο λέει στον άμυαλο Σεβάχ:
Νικημένο μου ξεφτέρι δεν αλλάζουν οι καιροί
με φωτιά και με μαχαίρι πάντα ο κόσμος προχωρεί.

Καληνύχτα Κεμάλ. Αυτός ο κόσμος δε θ’ αλλάξει ποτέ. Καληνύχτα…

* * * * *

Hear now the story of Kemal
A young prince from the East
A descendant of Sinbad the Sailor,
Who thought he could change the world.
But bitter is the will of Allah,
And dark the souls of men …

Once upon a time in the East,
The coffers are empty, the waters are stagnant.
In Mosul, in Basrah, under an old date-palm,
The children of the desert are bitterly crying.
A young man of ancient and royal race
Overhears their lament and goes to them.
The Bedouins look at him sadly
And he swears by Allah that things will change.

When they learn of the young man’s fearlessness,
The rulers set off with wolf-like teeth and a lion’s mane.
From the Tigris to the Euphrates, in heaven and on earth,
They pursue the renegade to catch him alive.
They pounce on him like uncontrollable hounds,
And take him to the caliph to put the noose around his neck.
Black honey, black milk he drank that morning
Before breathing his last on the gallows.

With two aged camels and a red steed,
At the gates of heaven the prophet awaits.
They walk together among the clouds
With the star of Damascus to keep them company.
After a month, after a year, they find Allah
Who, from his high throne, tells foolish Sinbad:
‘O my vanquished upstart, things never change;
Fire and knives are the only things men know.’*

Goodnight, Kemal. The world will never change. Goodnight…

* * * * *When Manos Hadjidakis was living in New York, during the coup of 67-74, he recorded an English version of this song, which actually predates the Greek one, with the New York Rock & Roll Ensemble . It’s rather silly, and a waste of a beautiful melody, although it’s a good album.

*The original says “Only with fire and with knives does the world proceed.”

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Posted in Favourites , Greece , Ελληνικά | Tagged Gatsos , Hadjidakis , Kemal | 48 Comments

48 Responses

  1. on Friday, January 28, 2005 at 9:26 pm Anonymous

    A splendid song, with haunting lyrics and tune, very evocative of the mysterious near east. The theme of the song seems to tie in very much with a fatalistic side of Islam which tends to accept the vicissitudes of the world as being the will of Al Lah.


  2. on Thursday, November 23, 2006 at 9:44 pm Myriam

    great. I was looking for this song for so long. I don´t speak greek, and your english translation helped me a lot. I´m from Argentina, South America, and also I´m Jewish but whenever I listen to this song I cry,wherever I am. No matter where we become, music is an international language , and brings peace. thanks!
    Myriam


  3. on Wednesday, January 24, 2007 at 6:24 am Murat

    Omorfotato tragoudi pou agapw poly! Genika i metafrasi einai kali. Omws kanate ena lathos me to KEMERI, pou einai mia tourkiki leksi. Edw de simainei PURSE alla AQUEDUCT (kanonika legetai SU KEMERI, diladi kemeri NEROU–dld. YDRAGWGEIO– i KAMARA me ton tono sti deftero A). An koitaksete ta symfrazomena, tha deite oti to vasiko provlima pou ithele o Kemal itan leipsydria stin erimo (an diavazoume tous stixous epifaneiaka). Telos pantwn nomizw pws einai kalytero na allaksete ti leksi PURSE…

    Defteron, i metafrasi SPARROW-HAWK kai einai provlimatiko giati sta anglika den exei tin idia connotation, dld. CLEVER… Kai einai eirwniki i xrisi tis leksis (vlepete AMYALO…)

    Mipws o Hrant Dink krataei to xeri tou Kemal ekei panw?

    Me filia…


  4. on Saturday, April 7, 2007 at 5:21 pm nikoky

    the “official” translation as sung in English:

    This is the story of foolish Prince Bass Fiddle and wise Jerry Kemal.
    As you remember, last time, the Prince was found without a dime on the Ponce Valdez while Jerry
    watched from a tree…

    In the land of Ali Baba near the Sea of Babalee,
    Lived a man who played the zither with a pronoun on his knee.
    He would dance among the fuzzy trees and bring the birds to life
    And his name was Prince Bass Fiddle and he loved his ugly wife.

    He would sing the songs of Lutvee in his very special way
    And he puffed tea with his lumpy head and sleep all night and day.
    With his turban and his leicester faced the thieves of Germany
    But beware great Prince Bass Fiddle, you΄ll be hanging from a tree.

    Fifty days and nights they waited for a sign from old Ratan
    To pretend to wear the colours of the Emperor Charlie Chan.
    So they strolled into the forest with a song and energy
    To find bay leaves in the cauldron of the mad witch Betty Lee.

    Came the answer from a leaf top that was found upon the ground
    “Only time and Prince Bass Fiddle will repair your bellies round.
    Search the highlands search the lowlands, cruise the Sea of Babalee,
    But remember that your children need the food from filigree.”

    Then one day in Abalone came a messenger to say
    That onion-head Bass Fiddle broke in half no more to play.
    Will we lose our land of Lutvee to the bearded men of Cleaves?
    Only miracles can save us and some tricks inside our sleeves.

    From the sky there was an answer to the question of the plebes
    “You will meet a tall dark stranger wearing black and blue cannives.
    Who is Lucy, who is Nestor? We should only be there now.
    Why it’s Aphrodite Milton and his keeper Prince Kemal.


  5. on Tuesday, April 10, 2007 at 9:40 am Thomas

    Thanks for posting the English lyrics, nikoky. It allows people to see what a waste of a beautiful melody the English version is. It’s embarrassingly bad.


  6. on Tuesday, August 14, 2007 at 7:15 pm burcak

    murat!
    ne yazdın cok merak ettim.lutfen turkce anlamini yazar misin
    tesekkurler


  7. on Sunday, September 2, 2007 at 12:25 am Andreas

    To tragudi eine teleio apo ka8e apopsi! i istoria tou kemal ine pragmatika i8oplastiki! iperoxo


  8. on Sunday, September 2, 2007 at 12:43 am Andreas

    MALAKIA TO ENGLISH VERSION – DEN TO SIZITW!!! KRIMA TO TRAGUDI MAGKES


  9. on Sunday, October 28, 2007 at 8:27 pm Malena

    ok, thats art’s best hit. all the beautiful words of the world could never describe it perfectly….


  10. on Sunday, October 28, 2007 at 8:38 pm Thomas

    Last January, Murat above pointed out that “sparrow-hawk” in the last stanza was an incorrect translation, and I forgot to correct it. It’s now “upstart”, which is what the Greek can also mean.


  11. on Thursday, February 28, 2008 at 1:49 pm XyD

    There’s a fantastic English version of this song by Raining Pleasure (a Greek band) , probably the best cover of Kemal so far. It’s really worth the time check it out.


  12. on Thursday, February 28, 2008 at 2:03 pm Thomas

    The Raining Pleasure version, and the whole Reflections album in fact, are better than the original. It’s certainly the best cover of the English Kemal, but the lyrics are still stupid and a horrible waste of a good melody.


  13. on Thursday, March 5, 2009 at 4:23 pm ΝΑΣΤΙΑ

    αααααααααααααααα ΔΕΝ ΛΕΩ ΕΙΝΑΙ ΤΕΛΕΙΟ ΤΡΑΓΟΘΔΙ ΑΛΛΑ ΚΑΙ ΛΙΠΙΡΟΟΟΟΟΟ ΜΟΥ ΑΡΕΣΕ ΠΑΡΑ ΠΟΛΙ ΡΕ ΠΑΙΔΙΑ!!!!! ΠΟΥ ΝΑ ΤΟ ΑΚΟΥΣΕΤΕ ΚΑΙ ΚΑΝΟΝΙΚΑ ΣΕ ΚΑΜΙΑ ΦΙΛΑΡΜΟΝΙΚΗ……….ΑΚΟΥΓΕΤΑΙ ΤΕΛΕΙΑ ΜΙΛΑΜΕ!!!!!!!!


  14. on Wednesday, April 29, 2009 at 11:44 am uzi golan

    I am from Israel. I admire the quality of Hadjidakis’s works. Kemal is maybe one of his best. Can anyone refer me to more information about who and why the words were written for this wonderful lyric? Thanks.


  15. on Wednesday, April 29, 2009 at 12:48 pm Thomas

    Uzi, I don’t know anything about where Gatsos got the idea for the story of Kemal. Perhaps it’s based on a folk tale. But I do know one thing about the song, although you might find it’s not as interesting as you’d like.

    I saw an interview once with Lefteris Papadopoulos, another lyricist, and the interviewer had asked him why he had never worked with Hadjidakis. He said they had met once and had agreed to work together, but Hadjidakis asked him to write a song that would have as its title the name of his dog — Kemal. Papadopoulos said he didn’t like the idea, and he lost interest in working with him.

    It seems Hadjidakis got his long-time collaborator Gatsos to write it instead. I think Hadjidakis didn’t care what the song was about, as long as its title was “Kemal”. The rest of it was all Gatsos’s idea.


  16. on Monday, June 22, 2009 at 11:45 am Avner

    “Kemal” has a Hebrew version as well. Its called “Marco Polo” and performed by a popular trio from the 60’s and 70’s, Hagashash.
    Another song from the same album, Dedication, has a particularly good Hebrew version, with lyrics by Naomi Shemer, one of Israel most prominent songwriters.

    Here is the song performed by Chava Alberstein from a 1990 TV show dedicated to Shemer:

    youtube has a few other versions. search for שיר סיום


  17. on Saturday, April 17, 2010 at 6:49 pm i alitheia

    It is very often misunderstood that the original lyrics are by Nikos Gatsos. The original version is the one from Reflections, by the New York Rock n Roll Ensemble, and the lyrics are written by the band. It is Gatsos that was inspired by the “malakia” that was mentioned afore. I’m sorry people, I did not make this, but stop thinking that “Greek is always first”.


  18. on Saturday, April 17, 2010 at 11:15 pm Thomas

    Only Nikoky calls the English version the original one. You’re jumping to conclusions if you assume that everyone thinks “Greek is always first”. (Whatever that means.)

    Everyone else here refers to it as simply the English version. We’re simply saying that the English version, although recorded first, is a piece of shit. Really, no one cares which one came first.

    I refuse to believe that Gatsos was “inspired” by the English lyrics, and challenge you to provide proof.

    The fact that the earlier version was also titled “Kemal” does not mean that Gatsos was inspired by it. In both cases, the English and Greek song was requested by Hadjidakis. Let’s not forget that Lefteris Papadopoulos said (in a televised interview I once saw) that Hadjidakis asked him to write a song titled “Kemal”. Papadopoulos said that Hadjidakis had a dog called Kemal, but the root of the song seems to be quite different.

    This webpage
    ( http://portal.activeradio.gr/forum/index.php?topic=1549.0 )
    quotes Hadjidakis as saying (and I translate):

    “In New York, in the winter of 1968, I met a young 20 year old kid named Kemal. Someone introduced him to me. How great and loaded with memories was this name for such a young and handsome boy, I thought. He had left his country on the pretense of some political oppositions. In reality, I imagined, he wanted to be lost in America. I told him this, and he smiled.

    “‘Can I show you around?’

    “He politely declined. He preferred to be alone.

    “And so when I returned home, I turned him into a song, into music.

    “Later on, Gatsos, writing the lyrics in Greek, made him an Arab prince who defends the weak. Something like an Errol Flynn film from 1935.

    “The people of the Peloponnese, where Gatsos is from, by nature cannot comprehend the sinful quality of the Muslim Turks, who are like electrified clouds over the river Evros, or like lost and proud dogs.

    “The only thing we left intact was the ‘Goodnight, Kemal’. Whether he’s an Arab Prince or a Muslim youth in New York, we owe him a “good night”, so that we can sleep peacefully at night. Without regrets, without useless desires, as Greeks should towards a young Muslim — as our friend Kavafy the poet would say.”

    In the Greek, the second last paragraph is rather hard to understand, and sounds as strange as my translation does. But I believe Hadjidakis is ironically calling Gatsos naive for not seeing Muslim Turks as sinful, as a patriotic Greek would be expected to. After all, in the Greek War of Independence, the Turks probably suffered their worst defeats in the Peloponnese, especially in Tripoli, where Gatsos was from. If history tells the people of the Peloponnese anything, it’s that things only go forward with fire and the knife.

    The original Greek:

    “Στη Νέα Υόρκη το χειμώνα του ΄68, συνάντησα ένα νέο παιδί είκοσι χρονών που το λέγανε Κεμάλ. Μου τον γνωρίσανε. Τί μεγάλο και φορτισμένο από μνήμες όνομα για ένα τόσο όμορφο και νεαρό αγόρι, σκέφθηκα. Είχε φύγει απ΄ τον τόπο του με πρόσχημα κάποιες πολιτικές του αντιθέσεις. Στην πραγματικότητα, φαντάζομαι, ήθελε να χαθεί μέσ΄ στην Αμερική. Του το είπα. Χαμογέλασε.
    -Δέχεστε να σας ξεναγήσω;
    Αρνήθηκε ευγενικά. Προτιμούσε μόνος.
    Κι έτσι σαν γύρισα στο σπίτι μου τον έκανα τραγούδι, μουσική.
    Ο Γκάτσος εκ των υστέρων, γράφοντας τους στίχους στα ελληνικά, τον έκανε Άραβα πρίγκιπα να προστατεύει τους αδυνάτους. Κάτι σαν μια ταινία του ΄Ερολ Φλυν του ΄35.
    Η Πελοπόννησος (καταγωγή του Γκάτσου), από τη φύση της αδυνατεί να κατανοήσει την αμαρτωλή ιδιότητα των μουσουλμάνων Τούρκων, που μοιάζουν σαν ηλεκτρισμένα σύννεφα πάνω απ΄ τον Έβρο, ή σαν χαμένα και περήφανα σκυλιά.
    Το μόνο που αφήσαμε ανέπαφο στα ελληνικά είναι εκείνο το «Καληνύχτα Κεμάλ». Είτε πρίγκιπας Άραψ είτε μωαμεθανός νεαρός της Νέας Υόρκης, του οφείλουμε μια «καληνύχτα» τέλος πάντων, για να μπορέσουμε να κοιμηθούμε ήσυχα τη νύχτα. Χωρίς τύψεις, χωρίς άχρηστους πόθους κι επιθυμίες. Κατά πως πρέπει σ΄ Έλληνες, απέναντι σ΄ ένα νεαρό μωαμεθανό- όπως θα έλεγεν κι ο φίλος μας ο ποιητής ο Καβάφης.”


  19. on Sunday, April 18, 2010 at 12:32 am i alitheia

    I don´t think that the paragraph is vague. Kemal (greek version) wants to change the world, and he sacrifices his life for this. The rest of us have to go back to sleep. That’s what he means, I think.

    I’m also happy that you cite this text, because it didn’t seem that anybody knew it in this blog.

    Now, why I think it is Gatsos that was inspired:

    1. But beware great Prince Bass Fiddle, you΄ll be hanging from a tree.
    2.Fifty days and nights they waited for a sign from old Ratan
    3.“Only time and Prince Bass Fiddle will repair your bellies round.
    But remember that your children need the food from filigree.”
    4.From the sky there was an answer to the question of the plebes

    These concepts and imagery appear in the greek version, obviously. It’s impossible to have been introduced accidentally. So this is your proof. Goodnight, Thomas, Goodnight.


  20. on Sunday, April 18, 2010 at 1:52 am Thomas

    I meant the paragraph before the last one, where he talks about the Peloponnese, not the one where he talks about going to sleep.

    I’m still not convinced. Hadjidakis requested these songs from the lyricists, Clifton Nivison and Nikos Gatsos. I see no reason to suppose that Gatsos, who was a superior poet, would be inspired by nonsense like “food from filigree”, and would sit down and decide to base his lyrics on the first song, especially considering that for the rest of the album he writes lyrics that have absolutely nothing to do with the English originals. This is the only song where Hadjidakis tells them he wants it to be about someone named Kemal. He could very well have given them an outline of what it was to be about, some kind of idea. For the rest of them, Gatsos seems to have had carte blanche.

    Nivison’s lyrics are so bad, he treats English as a second language. His lyrics for “Dedication” are horrible:

    Feels like I’m getting older, I’m not afraid
    Although I’m miles apart from yesterday
    And yet I can’t believe I’m old enough today
    To be in love and feel in love and see if love’s the way

    And you will sing, as long as there’s a song
    The feelings never gone
    It was the first time to be in love
    Maybe tomorrow I’ll never sing again
    But I’ll remember when it was the first time to be in love

    “The first time to be in love” is simply wrong English. I find it hard to believe a native speaker actually wrote this crap. I could go on, but I don’t want to waste any time on it.

    Compare it, though, to the lyrics of the Greek version, Ο Κόσμος Σου Να Είμαι Εγώ. Nowhere near the best that Gatsos has written, but lines like Όποιος χωρίς φεγγάρια φεγγαριάζεται are delightful.

    And is there anything on the English album that can approach the beauty of Περιμπανού?

    Περιμπανού τη λέγαν τα παιδιά, Περιμπανού
    κι ήτανε δεκαπέντε χρονών
    Έγραφε τ’ όνομά της στον καθρέφτη τ’ ουρανού
    μ’ ενός πνιγμένου γλάρου φτερό

    Περιμπανού την έλεγα κι εγώ, Περιμπανού
    κι ας μη με είχε ακούσει κανείς
    Έμοιαζε με κοχύλι στο βυθό του αυγερινού
    προτού καρδιά μου πέτρα γενείς

    Μα της ζωής το κύμα το παράφορο
    σάρωσε βάρκες και κουπιά
    Και στο μεγάλο κόσμο τον αδιάφορο
    ποιος τη θυμάται τώρα πια

    Some of those images are stunningly good. The man was a great poet, not some prog-rock cokehead.


  21. on Sunday, April 18, 2010 at 10:14 am i alitheia

    Well, the criticism of the poetry is something else. I didn’t say that the English version is better than the Gatsos version. This is an assumption of yours. I agree that, if not only for coherence, the lyrics of the greek Kemal are better. But if we do close reading, without depending mainly on our representations and evaluations of the poet himself, there is resemblance, and you have not answered to this one. I challenge you to present proof. I will help you a little: may be this imagery comes from some Oriental stereotypes and this is why we can find these elements in both texts. I still don’t think that this is an adequate explanation. It is probable that Hadjidakis not only requested the song but also informed both lyricists about the symbolism he attributed to the young guy. (In case that you don’t want to think of Gatsos taking a look in the English text: indeed, the fact that the rest of the songs are original doesn’t mean that this stands for this particular, requested song, does it?)


  22. on Sunday, April 18, 2010 at 1:37 pm Thomas

    This is an assumption of yours.

    I made no assumption. I grant you that there are some similarities, but you are forgetting your initial point. You said that Gatsos was “inspired” by this piece of crap. It doesn’t even make sense, and Gatsos wrote something that actually tells a story. Where’s the inspiration? A few similar images does not make inspiration.

    Let’s not get side-tracked by a discussion of similarities, and get back to the initial point that you made: Gatsos was inspired by the English version. Not influenced, but inspired.

    I don’t need to provide proof, although I’m not even sure what you want proof of. You want me to find proof that Gatsos was NOT inspired by it? How do you prove the absence of something? You claimed that he had been inspired by the song. As I said, some similarities do not constitute proof of inspiration.

    The fact that the rest of the songs are original doesn’t mean that this stands for this particular, requested song, does it?

    No, of course it doesn’t. Do you realise you’re saying the same thing as me now? If I say the other songs are different, I’m implying that the two Kemal versions are similar. I mentioned this because the only versions that have any similarity were the one song that Hadjidakis had commissioned, so to speak, from them. This suggests that they have a common source. Hence the similarities. As both of them were commissioned, both of them lack some originality they might have had, had the lyricists been given free reign.

    Your point in your first comment was to inform us, “I’m sorry people, I did not make this [up], but stop thinking that ‘Greek is always first’.” In other words, to inform us that that the Greek version didn’t come first. I’d already said so at the end of the initial post, and the only person who seems to think that the Greek version comes first was Nikoky.

    So, if you want to be a troll, and change your arguments as you go along, there’s usenet and Google Groups. Read more closely and choose your words more carefully if you want to continue posting comments here.


  23. on Wednesday, June 2, 2010 at 6:01 pm Joseph

    Actually, the English version was a very sophisticated and wry comment on the state of social affairs in the United States at the time. It was NOT a waste at all! Extremely sardonic, perhaps. Forty years in time and space have left the meaning unclear for most readers, unfortunately. Michael Kamen and the other members of the New York Rock and Roll Ensemble were Julliard graduates, and quite intelligent, and some of them went on to establish world-wide fame. There was an intelligence behind those lyrics…and Manos Hadjidakis was in attendance during its composition. If he didn’t approve of it, he would have said so.


  24. on Wednesday, June 2, 2010 at 9:46 pm Thomas

    From the sky there was an answer to the question of the plebes
    “You will meet a tall dark stranger wearing black and blue cannives.
    Who is Lucy, who is Nestor? We should only be there now.
    Why it’s Aphrodite Milton and his keeper Prince Kemal.

    You think this is sophisticated and wry?

    I don’t care where the band members went to school. That doesn’t make this tripe poetry.

    As for Hadjidakis, I doubt he knew English well enough to know what good poetry was in that language.


  25. on Monday, July 5, 2010 at 10:48 am Eran

    The NYR&RE lyrics are attributed to Μartin Fulterman (Mark Snow).
    I agree with Thomas that the beautiful melody deserves more profound lyrics.
    However, I do not think the english lyrics should be degraded in such wrath, as they did not pretend to be poetry.
    Apparently, the album “reflections” was recorded as a score for a film that was never produced. Perhaps this has something to do with the theme of the song.

    Unfortunately, the lyrics of the Hebrew version by Dan Almagor (“Marco Polo”) are also humorous, and seem to be an ill use of the great tune.

    Thanks for the translation of the Greek lyrics.


  26. on Monday, July 5, 2010 at 3:12 pm Thomas

    Eran, thanks for leaving a comment. I’ve never heard that it was recorded or written as a score for a film, but it wouldn’t surprise me. After all, what I’ve heard about Sweet Movie, I could imagine the English version of Kemal being in it.

    The wrath, as you call it, comes from making my case so often. Each time I make it, I get more emphatic. If I have to do it once more, I’ll probably just explode.


  27. on Tuesday, July 6, 2010 at 1:40 pm Eran

    You can find the story of “reflections” here:
    http://www.richieunterberger.com/nyrr2.html


  28. on Thursday, February 10, 2011 at 12:34 am Kemal

    Well, its a great song. And I dont want to think its been written to insult Turks cause really surreal and fairy tale descriptions with a lot of fun in it.
    It is surprising that Some greek friends withdraw of Greek assault off of Anatolia is mentioned as “Greek Independence War” 🙂
    Good night Greece, really good night :))


  29. on Wednesday, September 14, 2011 at 11:54 pm Olga

    I would love to find the lyrics and piano music. I am having difficulties. Please help… [email protected]
    Thank you in advance…Olga


  30. on Monday, July 9, 2012 at 6:21 am Γιάννης Στ.

    The “Greek” version is a plain moralistic story that sounds inspired by a Hollywood-quality fairy tale of a naive hero who thought he could change the world. How unique!

    This pseudo-heroism of the lyrics is trashy and plain. Which suits many modern Greeks who cannot comprehend the irony of the music of Hadjidakis and the poetry of Seferis and watch Latin American and Turkish trash on TV just fine.


  31. on Monday, July 9, 2012 at 4:25 pm Thomas

    Γιάννης:
    Are you saying that it sounds inspired, or is inspired, by Hollywood? Why do you say this? Are you taking your cue from Hadjidakis’s Errol Flynn comment? If so, I think you yourself have fallen victim to Hadjidakis’s irony.

    Kemal is naive and idealistic, and so foolish, but I fail to see anything trashy. The word is so inappropriate that I doubt you know what the word connotes. And I have no idea what you mean by plain.

    Also, I fail to see how an appreciation of the poetry of Seferis (or the irony of the poetry of Seferis — it’s not clear which you mean) has to do with appreciating the poetry of Gatsos.

    Let’s try to make sense of your comment. You’re saying the Greek version is not really Greek, it’s moralistic and a Hollywood cliche. Furthermore, it’s trashy (whatever you mean by that). And yet (and here’s the best part) those who fail to see that it’s all these bad things do so because they fail to see Hadjidakis’s irony. Huh? So, Hadjidakis deliberately made a bad song, and those who think it’s good do so because they watch too much Latin American and Turkish trash on TV. (What’s wrong with Greek trash, by the way? Not bad enough for you?)

    You’ll probably say I haven’t understood your point, and you’ll probably be right. But that’s because it’s such a mess that nothing logical can be extracted from it. Try thinking more clearly next time. And if that doesn’t work, try something else. Maybe it’s just not your cup of tea.


  32. on Monday, March 11, 2013 at 3:06 am Peter Katsa

    Although it reads differently the meaning can still be the same as both statements can be sad as the world will never be rid of violence.


  33. on Thursday, May 30, 2013 at 2:33 pm γιώργης

    today in Greece a school director forbidden to a school teacher to teach this song because the parent of one kid said that this is islamc propaganda.
    we live in very sad times. as Manos Hadjidakis said, “if you look the face of the monster for too much time, you forget how monstrous it is”


  34. on Tuesday, June 4, 2013 at 7:39 am النظر في وجه الوحش مطولا | بعدما دخلت الآلة في الصحراء

    […] Translation by Anatomy of Melancholy […]


  35. on Tuesday, July 23, 2013 at 11:41 am Complaint of censorship of a Hadjidakis song in the classroom goes viral, sparking controversy | The Irate Greek

    […] The teacher has not filed an official complaint at this point, and, when contacted by radiobubble, said that she would seek to resolve the issue under standard procedures of the education administration. It is unclear whether other, similar incidents have occurred in the school in the past. It must be noted that under legislation recently pushed through by the government, the teacher may be put on furlough merely for having been the subject of disciplinary action.  Hadjidakis is considered as one of the greatest modern Greek composers, with tens of international awards and distinctions, among them the Oscar – which he rejected – for his score of Jules Dassin’s movie Never On Sunday, which includes the legendary song The Children of Piraeus. His song Kemal talks of the fairy tale of an Oriental prince who fought for justice only to be assassinated by his oppressors.  The composer’s popularity in Greece never waned after his death in 1994. In 2009, radiobubble organized an internet tribute to Manos Hadjidakis, which drew participation from more than 100 blogs. Today, in reaction to this latest incident of censorship, you will find texts, photographs and songs of the composer under the hashtag #Hadjidakis on Twitter, with the slogan “we’ll never get used to it.” You can listen to the song Kemal below and read a translation of the lyrics (from the blog Anatomy of Melancholy) […]


  36. on Tuesday, July 23, 2013 at 3:54 pm Complaint of censorship of a Hadjidakis song in the classroom goes viral, sparking controversy | Ώρα Κοινής Ανησυχίας

    […] You can listen to the song Kemal below and read a translation of the lyrics (from the blog Anatomy of Melancholy) […]


  37. on Tuesday, July 30, 2013 at 12:46 am vta

    @Γιάννης Στ.- Oh, you’re so smart and knowing!


  38. on Tuesday, October 29, 2013 at 12:36 pm David Cade

    The English translation of the Greek lyrics, at the top of this page, are deep with meaning. The New York “translation” is simply nonsense, though somewhat amusing.

    The more accurate translation dwells on the fact that so often in our world, in any culture and in any religion, there are good-hearted folk who seek to do good but so often they are thwarted in their efforts by fearful local authorities, civic and religious.

    The fact that the action of this song occurs in a Muslim setting is irrelevant. The universal truth of the song applies to any context where authorities fear the improving actions of those below them. Along with a magical melody and beautiful harmony, this universal message is what makes the original Greek version of Hadjidakis’s “Kemal” such a powerful song.

    It is laughable that a parent in Greece has complained that to teach this song in school is to promote Islam. The teacher concerned is to be congratulated for resisting the intimidation he has suffered. In fact, he has behaved admirably and much like the “young man of ancient and royal race” referred to in the song!

    I don’t refer to this song, “Kemal”, in my book “Athens – The Truth: Searching for Manos, Just Before the Bubble Burst”, but I hope that anyone who appreciates the extraordinary music of Manos Hadjidakis will find many things of interest in it. I have loved and admired the music of Hadjidakis for 45 years.

    The paperback edition can be ordered, at a discount and with FREE postage to any part of the world, from:

    http://www.bookdepository.co.uk/Athens-Truth-David-Cade/9780955209031

    The Kindle Edition is available from:

    Best Wishes.


  39. on Thursday, February 20, 2014 at 8:43 am spiros grigoriadis

    Hello to all. My name is Spiros and I am greek.
    @Thomas. You say about the original version “It’s rather silly, and a waste of a beautiful melody, although it’s a good album.” I totally disagree with you and totally agree with Γιάννης Στ. You think Manos was so naive? You don’t know things well. Manos and New york rock n roll ensemble cooperated for the lyrics and Manos also instructed the group about the lyrics- at least that is wat Michael Kamen has said on an interview I have read. For me the original version of Kemal is far far better than the greek. But the greek version is more approved and Γιάννης Στ. explains this well. And the orchestration on the greek album is awful and for me the worst album for Manos Hadjidakis. New york rock n roll ensemble are amazing musicians and songwriters. You can hear their discography on my channel on youtube: Spiros Grigoriadis.


  40. on Thursday, February 20, 2014 at 1:51 pm Thomas

    Sigh. Here we go again, flogging the dead horse.

    I don’t know things well? I will defer to your greater knowledge, then, since you have read an interview and are on a first name basis with Hadjidakis. However, a quick look through the comments above will show that it’s already common knowledge that Hadjidakis in effect ordered the lyrics. Nothing new there.

    I will say this, though: I base my judgements on my own criteria, and do not care one bit what Hadjidakis or Kamen might have thought of the lyrics. I must assume that Hadjidakis liked the lyrics well enough that he did not reject them. I don’t know how good his English was, but he was definitely not a native speaker. Nor was he an English poet. His opinion on the matter, I repeat, is of no interest to me. I would not be persuaded to like the lyrics simply because I had heard that he thought they were good. I would simply disagree with him.

    What’s most amusing is you ask whether I think he was so naive for approving of lyrics written in English, and then you have no problem questioning his judgement about his own orchestration on his own album. Do you think he was so naive? He was, after all, a composer and a musician. If his opinion bears special weight in the matter of lyrics, why then does it not in the matter of music?


  41. on Thursday, February 20, 2014 at 2:14 pm David Cade

    I’ve studied most of Hadjidakis’s own verses closely, and I’d agree that, yes, indeed, Hadjidakis was first and foremost a composer and musician. His abilities in melody and harmony were remarkable, and it’s they that explain his continuing and exceptional popularity. And I think it’s that remarkable melody and harmony of “Kemal” which drives people to focus attention on the third feature of that particular song: it’s words.


  42. on Thursday, February 20, 2014 at 2:46 pm spiros grigoriadis

    We disagree in some points but this is ok! I don’t want to persuade you to like the original lyrics. If you don’t like them it is your choice and is respectable. As far as I know from a friend who knew personally Manos he told me that when he was making the greek version of reflections didn’t care a lot and made it a little quick. This is not an official fact of course but an information from person who knew him. I have no reason to believe it only because I just heard it, but comparing to other albums of Manos Hadjidakis I believe this one doesn’t reflect his value as a musician and composer.


  43. on Thursday, February 20, 2014 at 10:40 pm spiros grigoriadis

    sorry a correction on what I said before (” doesn’t reflect his value as a musician and composer”.) I was talking about the orchestration not about the composition. The orchestration of the greek album is not good in my opinion.


  44. on Friday, February 21, 2014 at 1:01 pm David Cade

    Spiros, I agree with you that in all the hundreds of different orchestrations of Hadjidakis’s extraordinary songs, the quality of the work has certainly varied! They range from base to sublime, don’t they? 🙂


  45. on Saturday, February 22, 2014 at 10:22 am spiros grigoriadis

    I agree David 🙂


  46. on Tuesday, February 25, 2014 at 2:24 pm Anastasios

    Was very suprised to find such an extensive -and ongoing!- discussion on a rather obscure -or so I thought- song, esp. when initiated by a non-Greek.
    I had always thought of the greek version as the “original”, since it’s release in the “Αντικατοπτρισμοί” album (btw, “Reflections” literally translates as “Αντανακλάσεις”, whereas “Αντικατοπτρισμοί” literally translates as “Mirrages” -“from “κάτοπτρον” = mirror), only to find out, many years after Hadjidakis was gone, that the whole album was in fact a re-make of the NYRE version that preceded it by more than two decades.
    I wouldn’t write-off the original english lyrics as outright “silly” or a waste of the -great!- melody. In my opinion, Hadjidakis should have liked this idyl with the nonsensical, if we take into account the historical context of the album’s release. If the Beatles could do it (think “Mundo paparazzi mi amore chica ferdy parasol, cuesto obrigado tanta mucho que can eat it carousel”), then why not NYRE and Hadjidakis?
    The Gatsos’ lyrics, on the other hand, far more refined as they come from the hand of a master poet, do seem naϊve, but I think that they are intentionaly so. The song’s moral, that change only comes through strife, might be a simple one, but also is profoundly and universaly true. This simple tale, of a young Arab prince, serves the song just fine to make it’s point. Simple like an Aesop’s fable.

    Reflections is a great album, and I do consider it as one of Hadjidakis’ greatest. I think of it more as a collaboration, as it represents a major departure from the composer’s style, although his distinctive signature is always present in the melody (Hadjidakis seemed to have an inexaustable source for melody, it is very difficult to find him repeating himself). The greek version, “Αντικατοπτρισμοί”, with singer Aliki Kagialoglu has a very different approach, is actually a re-work from scratch. It is also one of my favorites. I personally prefer the original, NYRE version, over the Raining Pleasure re-recording of the album (although inferior in the quality of the recording). My favourites are Dance of the Dogs (I prefer the greek version, with the Gatsos’ lyrics, here) and Bitter Way (IMHO one of Hadjidakis’ most melancholic and haunting melodies).


  47. on Tuesday, February 25, 2014 at 2:55 pm Thomas

    Anastasios, you make a good point regarding the Beatles, but I would argue that Lennon’s brand of nonsense was a different kind. I can’t call something silly when it makes no sense whatsoever. I would, in other words, make a distinction between silly and nonsensical, although some people would argue that the English Kemal lyrics are nonsensical. My argument is probably not that logical. I’m simply trying to account for my personal taste.

    Another point that is important for me is that when Lennon, influenced by Lewis Carroll, was writing “I Am The Walrus”, to give another example, he was doing something that had never been done before in popular music, or possibly any music. It was a bandwagon that everyone soon jumped onto, and should have got off sooner than they did. I’m personally not so demanding of the Beatles when it comes to their lyrics. If the music’s good enough, I’ll overlook the lyrics. My favourite track on Abbey Road is “She Came In Through The Bathroom Window”, but the lyrics have nothing to do with why I like the song.

    The big difference for me is that, like you, I learned the Greek version first, and then was disappointed with the English version. But even if it had happened the other way around, I would have grown disappointed with the English version. The Greek version stands, for me, as what a great song can be, and there is an appropriate balance between words and music.

    By the way, if you look more closely at the lyrics of the Greek version, you’ll see that there is no reason to think that the moral is that change comes only through strife. There is strife, but no change. Everything Kemal has done is in vain. Nothing ever changes in this world, and Kemal is a fool for not having known this. (I originally posted this when George Bush won his second term, hence my reference to “what’s in store for the next four years”.)

    Also, I assume by “non-Greek” you meant me. I am Greek, however.

    Thanks for dropping by and commenting.


  48. on Thursday, August 7, 2014 at 11:46 pm Elias

    I’ve always found the Greek lyrics boring, dead serious, and preachy. Tell you the truth, I can’t even stand it. On the other hand, the English version has always been a breath of fresh air, a thousand times more interesting than the Gatsos version (in my ears); I find it amusingly surreal, cute, and light-hearted.

    De gustibus non est disputandum, of course. I know, I won’t convince you and you won’t convince me. Just pointing out how the same song can have different receptions. Beauty is in the eye of the beholder, and Kemal is in the ear of the listener.


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      CBSE Sample for Class 11 Accountancy (Solved) – Set A

      Accountancy Question Paper consists of two parts A and B, all the questions in both the parts are compulsory. Important note while answering to this paper is that all the questions of a part should be answered together. Part A of this paper is based on Financial Accounting I and Part B is based on Financial Accounting II. Please note that the paper given here is only a sample. Set A of Solved CBSE Sample Paper for Class 11 Accountancy is given below with its solutions.

      Sample Question Paper

      Part A – Financial Accounting I [50 Marks]

      Q. 1. Which basis of accounting gives a correct picture of operating results and financial position of a firm ? [HOTS] [1]

      Q.2. Give the classification of Reserve. [1]

      Q.3. Jay and Vaishali are partners in a firm. The firm receives an order for goods. Vaishali wants to include it in the sales figure but Jay opposes it. Settle the issue. [HOTS] [1]

      Q. 4. Mr. Rohan started a business of chit funds. He collected of 10 Crores from small investors with an assured 5 times return in next 5 years. He suddenly closed the company and ran away. Which value is not followed by Mr. Rohan and what legal remedy is available to the small investors? [VB][3]

      Q.5. Define Accounting Standards. Explain their need. [HOTS] [3]

      Q.6. The following are some of the transactions of Mis Kishore & Sons as per Waste Book.Make out their Sales Book: [3]

      Sold to Mis Gupta & Verma on credit:
      30 shirts @ ₹ 150
      20 trousers @ ₹ 300
      Less: Trade [email protected] 10%.
      Sold old furniture to MIs Sehgal & Co. on credit ₹ 800
      Sold 50 shirts on credit to MIs Jain & Sons @ ₹ 150 each.

      Sold on credit to MIs Mathur & Jain
      10 shirts @ ₹ 175
      10 overcoats @ ₹ 500
      Less: Trade Discount @ 10%.

      Q. 7. Write difference between Trial Balance and Balance Sheet. [4]

      Q. 8. Explain in brief any four limitations of accounting. [4]

      Q. 9. Prepare Bank Reconciliation Statement on the basis of following information: [4]

      CBSE Sample for Class 11 Accountancy (Solved) - Set A
      CBSE Sample for Class 11 Accountancy (Solved) - Set A

      Q. 10. Explain the advantages of accounting. [6]

      Q.ll. Journalise the following in the books of Neelam: [HOTS][6]

      (i) Neelam acceptance to Dinesh for ₹ 2;000 renewed at 3 months together with interest @ 18%per annum.

      (ii) Ranjan requests Neelam to renew her acceptance. for ₹ 1,500 for two months. Neelam agrees to it provided interest .is paid to her @ 20% per annum in cash.

      (iii) Neelam’s acceptance in favour of Guddi for ₹ 15,000 dishonoured and noting charges paid by Guddi ₹ 20, which was paid by cheque later on.

      Q. 12. Ram purchased on 1.4.2008,a Machine for ₹ 75,000. The Machinery is to be depreciated by 10% p.a. on the Fixed Installment Method and accounting year being April-March.

      On 1.10.2010,some part of the Machine costing₹ 10,000 was sold for₹ 7,000. On the same date, a new Machine costing ₹ 10,000 was installed.
      Prepare Machinery Account and Provision for Depreciation Account for three years. [6]

      Q. 13. (a) Give necessary Journal entries to rectify the following errors: (HOTS] [6]

      (i) Rent received ₹ 1,000 was wrongly entered as commission received ₹ 1,000 in the Cash Book.

      (ii) ₹ 2,500 paid for rent, has been wrongly debited to Interest Account.

      (iii) An amount of ₹ 8,000 received on account of interest, was credited wrongly to
      Commission Account.

      (iv) ₹ 35,000 paid for the purchase of a motor cycle to proprietor has been charged to
      Miscellaneous Expenses Account.

      (v) Contractor’s Bill of₹ 27,500 for expansion of building was wrongly debited to Repairs
      Account.

      (vi) ₹ 5,000 paid in installment to an injured worker for compensation. The worker’s compensation claim was debited to Wages Account.

      (b) Goods worth ₹ 10,000 returned by Keshwari were taken into stock but the transaction was not recorded by Mr. Shaad (accountant) in the books of account as he was doing some of his personal work and left the company after office hours not caring for the transaction to be entered in the books of accounts.

      (i) Identify the value missing in the above case.

      (ii) Rectify the error. [VB][2]

      Or

      Q. Write the following transactions in Cash Book with Discount and Bank Columns: [8]
      2012

      Jan. 1 Opening balance of cash ₹ 2,00,000.
      Jan. 3 He pays ₹ 1,80,000 into Bank’s Current A/c.
      Jan. 4 He receives cheque of ₹.6,000 from Kirti & Co., on account.
      Jan. 7 He pays into Bank Kirti & Co’s cheque for ₹ 6,000.
      Jan. 10 He pays Ratan & Co., by cheque ₹ 3,300 and is allowed discount ₹ 200.
      Jan. 12 Tripathi & Co., pay into his Bank Alc₹ 4,750.
      Jan. 15 He receives cheque for ₹ 4,500 from Warsi and allows him discount ₹ 350.
      Jan. 20 He receives cash ₹ 750 and cheque ₹ 1,000 for Cash Sales.
      Jan. 25 He pays into Bank ₹ 10,000.
      Jan. 27 He pays John & Co. ₹ 3,750 in cash and is allowed discount ₹ 350.
      Jan. 30 He pays sundry expenses in cash ₹ 500.
      Jan. 31 He pays office rent by cheque ₹ 2,000.
      Jan. 31 He pays staff salaries by cheque ₹ 3,000.
      Jan. 31 He draws a cheque for personal use ₹ 2,500.
      Jan. 31 He pays Jagpal by cheque for commission ₹ 3,000.

      Part B . Financial Accounting II [40 Marks]

      Q.14. Mr. Rohit works in a NPO. He always comes late to the office. What value is not followed ? [VB][1]

      Q. 15. What do you mean by Legacy? [1]

      Q. 16. What is the meaning of Statement of Affairs? [1]

      Q. 17. How will you deal with the following case while preparing final accounts of a non-profit organisation: [3]

      CBSE Sample for Class 11 Accountancy (Solved) - Set A

      Q. 18. Radhey, who keeps his books on Single Entry System, gives you the following information: [3]

      CBSE Sample for Class 11 Accountancy (Solved) - Set A

      You are required to calculate Profit by preparing Statement of Profit or Loss.

      Q. 19. Do you think the value of transparency is important while preparation of financial statements of a company? [VB)[3]

      Q.20. Write a short note on Hardware and Software. [4]

      Q. 21. Mr. Farhan, a manager in Not-For-Profit Organisation received a sum oH 5,00,000 as donation for construction of building. Mr. Farhan however, used this amount for his personal use.

      (i) Identify the value missing in the above case.
      (ii) Give the accounting treatment of donation in the financial statements. [VB][4]

      Q. 22. What are the main disadvantages of computerised accounting? [6]

      Q.23. The following is the Receipts and Payments account of Apollo Hospital for the year ended 31st March, 2012.

      CBSE Sample for Class 11 Accountancy (Solved) - Set A

      Q. 24. Prepare Trading and Profit & Loss Account and Balance Sheet from the following balances, relating to the year ending 31st March, 2012.

      CBSE Sample for Class 11 Accountancy (Solved) - Set A

      Or

      The following is the Trial Balance of Mr. S. Kapur, as on 31st March, 2012 :

      CBSE Sample for Class 11 Accountancy (Solved) - Set A

      Taking into account the following adjustments, prepare Trading and Profit & Loss Account and the Balance Sheet:

      (i) Stock on hand on 31st March, 2012 is ₹ 13,600.
      (ii) Machinery is to be depreciated @ 10% p.a. and patents @ 20% p.a.
      (iii) Salaries for the month of March, 2012 amount to ₹ 3,000 were unpaid.
      (iv) .Insurance includes a premium of₹ 170 for year 2012-2013.
      (v) Wages include a sum of ₹ 4,000 spent on the erection of a cycle shed for employees and customers. .
      (vi) A provision for Doubtful Debts is to be created to the extent of 5% on Sundry Debtors. [8]

      Sample Question Paper Solutions

      All CBSE Sample Papers for Class 11 Accountancy Class 11 All Subjects All Classes

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      BIMTECH Greater Noida declares PGDM 2015-17 GD PI

      BIMTECH Greater Noida declares PGDM 2015-17 GD PI

      Related To: Birla Institute of Management Technology, Greater Noida

      By: Sreetama Datta
      Updated On: 09 Feb 2015 09:19 AM IST

      BIMTECH or Birla Institute of Management Technology Greater Noida has announced the GD PI shortlist for its various PGDM programmes of academic year 2015-17. The candidates have been shortlisted on the basis of CAT 2014 , XAT 2015 , MAT 2014-15 , CMAT 2014-15 and GMAT scores.

      In order to check your shortlist status, enter your BIMTECH application number and click on submit.

       

      The shortlisted candidates will have to appear for Group Discussion and Personal Interview rounds. The parameters considered for admission and their weightages are given in the following table.

      BIMTECH Selection Criteria

      SELECTION CRITERIA

      WEIGHTAGES-2015

      PI

      30%

      GD

      20%

      Write-up

      15%

      Graduation Marks %

      10%

      12th Marks %

      5%

      10th Marks %

      5%

      Work experience

      12%

      ** Regional-Eastern States (seven    sisters), Southern States (Kerala, Andhra Pradesh, Tamil Nadu, Karnataka, Pondicherry) & Jammu & Kashmir

      3%

      The GD PI rounds will be conducted in 15 cities across India on February 14, 15 and 20, 2015.

      Number of Seats and Fee

      The following table brings to you the number of seats and fee for the PGDM programmes.

      Programmes

      Number of Seats

      Fee

      PGDM

      240

      Rs. 10 lakh

      PGDM (International Business)

      60

      Rs. 10 lakh

      PGDM (Insurance Business Management)

      60

      Rs. 8 lakh

      PGDM (Retail Management)

      60

      Rs. 8 lakh

      The shortlisted candidates have to submit the following document photocopies:

      • Mark-sheet of 10th std.

      • Mark-sheet of 12th std.

      • Mark-sheet of Graduation (All years/semesters for applicants who have completed Graduation). All mark-sheets till last exam in case of applicants appearing in final year examination (1st attempt) in summer 2015.

      • Score card – CAT 2014/GMAT 2014-15/XAT 2015/MAT Dec. 2014 & Feb. 2015/CMAT Sep. 2014 & Feb. 2015. (Whichever applicable as per the ‘Program Preferences’ mentioned in your application form).

      • For applicants having work experience of min. 12 months:

        • Work experience certificate(s)

        • Appointment letter of current/last employer

        • Pay slip of last drawn salary

      • Domicile certificate issued by competent authority in support of your claim for regional weight-age given for the States/UT of Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, and Tripura, Kerala, Andhra Pradesh, Tamil Nadu, Karnataka, Pondicherry, Jammu & Kashmir.

      • Income Tax Return 2013-14/Form 16 of both Parents for applicants who have applied for Scholarship.

      • Valid Certificate of Physical Disability issued by CMO or Civil Surgeon of any Government Hospital authorized to issue such certificates in prescribed format for the purpose. (For Physically Disabled candidates).

      • The applicant’s family should hold a valid income certificate issued by the SDM or any other officer authorized in this behalf by the Revenue Department stating that the total annual income of the family from all sources is not more than Rs. 2,00,000/-.

      OR

      • The applicant or family should hold a valid BPL Ration Card mentioning the name of the applicant.

      OR

      • The applicant or family should hold a valid AAY (Antyodaya Anna Yojana) Ration Card mentioning the name of the applicant. (For Economically Weaker Section)

      BIMTECH Greater Noida mentions that the photocopies should be self attested and should mention the application number.

      Stay tuned to bschool.careers360.com for more news and updates on BIMTECH Greater Noida.

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      CSIR had uploaded the Previous Years Question Papers of CSIR UGC NET Examination that was held last year . The CSIR UGC NET Question Papers are available with Answer Keys on the official website of CSIR – csirhrdg.res.in.

      As you may be aware that this year, i.e. in 2015, CSIR will hold the Joint CSIR-UGC Test on 19th June 2016 for determining the eligibility of the Indian National candidates for the award of Junior Research Fellowships (JRF) NET and for determining eligibility for appointment of Lecturers (NET) in certain subject areas falling under the faculty of Science & Technology. The award of Junior Research Fellowship (NET) to the successful eligible candidates will depend on their finding admission/placement in a university/ national laboratory/ institution of higher learning and research, as applicable

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      CSIR-UGC NET Exam for Science stream is conducted by CSIR in the following areas: –

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      Download Free Joint CSIR UGC NET Exam Question Papers
      Exam Date Subject  (Booklet Code) Answer Keys  (Booklet Code)
      June 2016
      Chemical Sciences
         A    B    C

      Earth Sciences
         A    B    C

      Life Sciences
         A    B    C

      Mathematical Sciences
         A    B    C

      Physical Sciences
         A    B    B(E)    C
         C(E)

      Engineering Sciences
         A    B    C
       


      A    B    C    Corrected C

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      8116 Good Luck RdLanham, MD 20706

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      8116 Good Luck RdLanham, MD 20706

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      Physicians & Surgeons, Orthopedics
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      7211 Hanover PkwyGreenbelt, MD 20770

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      (301) 552-8700
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      5.  Dr. Jan Dixon Webber, MD

      8100 Good Luck Rd Ste 302Lanham, MD 20706

      (301) 552-1200
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      6.  Dr. David Dorin, MD

      8116 Good Luck Rd Ste 200Lanham, MD 20706

      (301) 552-4131
      Physicians & Surgeons, Orthopedics
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      8116 Good Luck Rd Ste 200Lanham, MD 20706

      (301) 552-4131
      Physicians & Surgeons, Orthopedics
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      Make an Appointment

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      8.  Accessible Physical Therapy Group

      7525 Greenway Center Dr Ste 116Greenbelt, MD 20770

      (301) 345-6166
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      7241 Hanover Pkwy Ste AGreenbelt, MD 20770

      (202) 345-8636
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      7501 Greenway Center Dr Ste 220Greenbelt, MD 20770

      (301) 220-2127
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      BBB Rating: A

      7300 Hanover DrGreenbelt, MD 20770

      (301) 345-1800
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      Nwaneri, Uchenna R, MD

      12.  Nwaneri, Uchenna R, MD

      7300 Hanover Dr Ste 103Greenbelt, MD 20770

      (301) 860-1900
      Physicians & Surgeons, Orthopedics
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      7300 Hanover Dr Ste 102Greenbelt, MD 20770

      (240) 297-9858
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      8717 Greenbelt RdGreenbelt, MD 20770

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      8721 Greenbelt Rd, Suit #203Greenbelt, MD 20770

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      6201 Greenbelt Rd Ste L7Berwyn Heights, MD 20740

      (301) 345-3711
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      17.  Express Healthcare, LLC

      6201 Greenbelt Rd Ste M15College Park, MD 20740

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      Medical Clinics Physical Therapists
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      From Business: Urgent Care Available 7 Days A Week

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      18.  Capital Orthopaedic Specialists

      BBB Rating: A+

      8116 Good Luck Rd Ste 200Lanham, MD 20706

      (301) 552-4131
      Physicians &…
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      7249 Hanover Pkwy Ste AGreenbelt, MD 20770

      (301) 446-2488
      Physical Therapists
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      7241 Hanover PkwyGreenbelt, MD 20770

      (301) 477-1988
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      21.  Dr. Svetlana Malinsky, DPM

      6201 Greenbelt Rd Ste M8aBerwyn Heights, MD 20740

      (301) 474-1933
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      Laser Spine Institute

      PREFERRED

      22.  Laser Spine Institute

      (28)

      BBB Rating: A+

      Serving the Greenbelt Area.

      (866) 382-7494
      Physicians & Surgeons, Orthopedics
      Website Local Listings Video More Info

      Went to Laser Spine Institute to visit my cousin. The entire hospital was amazing. It looked so clean and everyone looked pleasant. The doctor who c…

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      PREFERRED

      23.  Back Pain & Headache Centers

      Serving the Greenbelt Area.

      (301) 576-0900
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      24.  Capital Orthopaedic Specialist

      7404 Executive PlLanham, MD 20706

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      25.  University Of Maryland Orthopaedics At College Park

      4321 Hartwick Rd Ste 500College Park, MD 20740

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      Physicians & Surgeons, Orthopedics
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      From Business: University of Maryland orthopaedics provides diagnosis, treatment and rehabilitation of orthopedic conditions in patients of all ages.

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      26.  Dr. Sagar Vidya Nootheti, MD

      (1)

      4700 Berwyn House Rd Ste 108College Park, MD 20740

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      29.  Bland Louis H

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      Tips & Advice

      What is scoliosis?

      Scoliosis is a disorder where the spine curves sideways. Most people develop the condition during the growth spurt before puberty. The cause of scoliosis is unknown and most cases are mild, but the rare severe instances can disable a person.

      What type of specialized training does an orthopedic surgeon receive?

      Orthopedic surgeons attend four years of medical school, then four to five years of orthopedic residency in a hospital. They must also be licensed and certified in orthopedic surgery by the state in which they practice.

      Is an orthopedic doctor the same as an orthopedic surgeon?

      The terms “orthopedic doctor” and “orthopedic surgeon” refer to the same profession. Related specialties include podiatrist, a doctor who works with the bones, tendons and ligaments in the feet, and a sports medicine physician, a doctor specially trained to treat athletes.

      How much does it cost to see an orthopedic surgeon?

      The cost of a visit to an orthopedic surgeon depends on the type of tests ordered and treatment given. For example, an MRI costs $500-$1,300. An initial consultation costs $100- $500, while anesthesia for a procedure generally ranges from $2,000-$4,000.

      Overall, an orthopedic surgery can cost anywhere from $15,000 to $30,000.

      What does an orthopedic appointment consist of?

      During a consultation or first appointment with an orthopedic surgeon, the practitioner will ask the patient a variety of questions to understand the situation. The surgeon might ask about the patient’s pain levels, medical history, and any prior injuries. Then, the surgeon will administer a physical exam and possibly schedule tests to better understand the problem. Possible tests include a stress test, x-ray, or MRI.

      What is arthroscopic surgery?

      Arthroscopic surgery uses a small video camera, called an arthroscope, to observe, diagnose, or treat issues inside a joint. During the procedure, an orthopedic surgeon makes a small incision and inserts the camera into the affected area. The camera projects images onto a television screen, making it easy for the surgeon to see hard-to-access areas around and within the joint.

      What is joint replacement surgery?

      Joint replacement surgery is a procedure that removes parts or all of a damaged or arthritic joint and puts a prosthesis in its place. The prosthetic joint can be made of plastic, metal, or ceramic.

      What is a rotator cuff?

      Rotator cuffs are the groups of muscles and tendons attaching the humerus bone to the shoulder blade. The rotator cuffs allow people to lift and rotate their arms.

      People who frequently perform overhead motions — for instance, tennis players, carpenters, and painters — are more likely to injure a rotator cuff. Symptoms include a dull ache that worsens with pressure, such as when a person sleeps on that side. Orthopedic surgeons commonly use physical therapy to treat these injuries.

      What are the most common conditions that an orthopedic surgeon can treat?

      Some of the most common conditions orthopedic surgeons treat include:

      • Sprains and strains
      • Fractures and dislocations
      • Damage to the ligaments, tendons, and muscles
      • Arthritis
      • Osteoporosis
      • Club foot
      • Bow legs
      • Bone tumors
      • Scoliosis
      • Sciatica
      • Cerebral palsy

      What is an orthopedic surgeon?

      Orthopedic surgeons diagnose and treat diseases and injuries involving the musculoskeletal system, including bones, joints, muscles, nerves, ligaments, and tendons. Although they are called surgeons, they sometimes use nonsurgical means for their treatments.

      See more Tips & Advice

      Laser Spine Institute

      (28)

      Serving the Greenbelt area.

      • (866) 382-7494

      Website Local Listings Video More Info
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      GameMaker: Studio free to download, Professional edition discounted

      Thomas Schulenberg , @T_Schulenberg

      02.22.14


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      Curious about game development? YoYo Games is offering free licenses for GameMaker: Studio, development software that caters to users who don’t know the depths of programming. Until March 2, licenses for the Standard edition can also be upgraded to the Professional version for $35.

      Never heard of GameMaker? Derek Yu used it to develop the punishing labyrinth of Spelunky , while Risk of Rain developer Hopoo Games used it to build giant pig-infested stages. Messhof also used GameMaker for its multiplayer stab-fest, Nidhogg .

      If you’re interested, download the Standard version and play around with it. If you decide it’s not for you, the only thing it will really cost you is time.

      [Image: YoYo Games]




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      From around the web

      GameMaker: Studio

      2.0.6.146
      YoYo Games

      3.0

      2

      Create you own videogames for any platform

      Latest version

      2.0.6.146

      06.22.17

      Older versions
































      318.6k
































      Rate this App






      Game Maker: Studio is a complete videogame creating tool, thanks to which its users will be able to develop complex games perfectly playable in different operating systems like Windows, Mac, iOS, Android or HTML 5. These last three, will be only available for the paid version of the application.

      The program has a very intuitive interface from which we will be able to manage all phases of the development of our videogame. To be able to use this program, we will of course have to use a tutorial first, but once we know all the options, developing a game will be a question of minutes.

      GameMaker: Studio includes a series of fundamental differences that separate it from the normal GameMaker. For example, `Studio´ includes its own physics and collisions motor (BOX2D). Although maybe the major difference between these two programs is the facility that this version has for the publication of our game in any of the many distribution platforms and operating systems that are available.

      GameMaker: Studio is a very complete videogame creating tool that despite the huge range of possibilities and options that it offers, it allows the creation of videogames in a simple and intuitive way.

      Technical information

      • License
        Free
      • Op. System
        Windows
      • Requires Windows
        XP and up
      • Category


        Video Games
      • Language

        English
      • Author
        YoYo Games
      • Size
        169.08MB
      • Downloads
        318,623
      • Date
        06.22.17

      Opinions about GameMaker: Studio

      3.0
      • 1
      • 0
      • 0
      • 0
      • 1

      2 comments


      brunosil
      brunosil in 2016

        esse programa faz jogos para tablets tipo aparelhos com android??

      esse programa faz jogos para tablets tipo aparelhos com android??

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      machoz
      machoz in 2016

        lingua

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      melnichuk
      melnichuk in 2015

        Очень Хороший движок!

      Очень ХОРОШИЙ Движок! Лучше Unity! Создаю Игры Без Проблем и Друзьям Очень Нравится! И Два Движка Хорошо Game Maker Studio и Game Maker Правда Игры только 2D Но Потом буду 3Д Игры Создавать!… Read more

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      Questions about GameMaker: Studio

      brunosil
      brunosil in 2016

        esse programa faz jogos para tablets tipo aparelhos com android??

      esse programa faz jogos para tablets tipo aparelhos com android??

      machoz
      machoz in 2016

        lingua

      come cambiare mettere in lingua italiana game maker studio

      Previous versions

      Free
      v1.3.1443
      201.04MB

      GameMaker: Studio

      Free
      v1.3.1386
      173.82MB

      GameMaker: Studio

      Free
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      178.93MB

      GameMaker: Studio

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      research paper 2016

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      Research Papers

      • Research Papers 2016

        • Executive Budget 2016-17: Potential Lines of Questioning
        • Executive Budget 2016-17: Departmental Allocations
        • Restructuring Northern Ireland Departments: Machinery of Government Changes
        • Executive Budget 2016-17: Northern Ireland Economic Context

      Research Papers 2016

      Synopsis: Below you will find a list of research papers which have been prepared by the Research and Information Service for the Committee for Finance and Personnel in 2016. The papers are listed in reverse chronological order.

      Executive Budget 2016-17: Potential Lines of Questioning

      – Date: 07/01/2016

      As part of a four-part series, this Briefing Paper aims to facilitate Assembly scrutiny of the Executive Budget 2016-17, both in plenary and statutory committees. Drawing on previous papers in the series, this Paper sets out potential lines of questioning, which seek to ensure the Executive duly considers Northern Ireland’s socio-economic context in its budget allocation decisions, so that departmental ministers are better placed when making decisions about policy and spending throughout 2016-17 and thereafter. (Paper 4 of 4)

      PDF

      Executive Budget 2016-17: Departmental Allocations

      – Date: 07/01/2016

      As part of a four-part series on the Executive Budget 2016-17, this Briefing Paper presents tables (Tables 1-3) and graphs (Figures 1-5) to illustrate departmental allocations outlined in the Minister of Finance and Personnel’s Written Statement on 17 December 2015. Key observations about those tables and figures are noted as far as possible, given current unknowns arising from the departmental restructuring, which will reduce departments from 12 to 9. Amongst those unknowns are future decisions that are to be taken by the Executive, such as those relating to the total resources that are to be held in ‘Central Funds’. For more information on departmental restructuring, refer to RaISe Briefing Papers NIAR 714-15, dated 6 January 2016 and NIAR 780-12, dated 17 October 2012. (Paper 3 of 4)

      PDF

      Restructuring Northern Ireland Departments: Machinery of Government Changes

      – Date: 07/01/2016

      As part of a four-part series on the Executive Budget 2016-17, this Briefing Paper seeks to inform the context in which the Executive has made allocations. It addresses on-going government restructuring and changes to arise from it, which impact on the Executive’s budgetary decisions for the forthcoming financial year. The Paper also seeks to facilitate the Assembly’s financial scrutiny of the Departments Bill (the Bill), currently progressing through the Assembly. (Paper 2 of 4)

      PDF

      Executive Budget 2016-17: Northern Ireland Economic Context

      – Date: 07/01/2016

      As part of a four-part series, this Briefing Paper seeks to inform the Assembly’s scrutiny of the Executive Budget 2016-17. It outlines key aspects of the Northern Ireland economic context, which merit consideration when assessing the Executive’s priorities and related allocations in its Budget 2016-17. (Paper 1 of 4)

      PDF

      Displaying 1-4 of 4


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      act 2 hamlet questions and answers

       
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      18 terms

      ajeanie

      Hamlet Act 2 Review Questions

      STUDY

      PLAY

      What does Polonius send Reynaldo to do?
      He wants Reynaldo to give him money and notes from Polonius, but before doing so, ask others about his behavior and spy on him.
      What do Polonius’s instructions to Reynaldo reveal about Polonius’s character? about what he thinks his son capable of? about what Polonius himself might have been like as a youth?
      (This is more of an opinionated question, so you can just think of the answer on your own.)
      Why does Ophelia come to see her father in the middle of act II, scn i? How do both Polonius and Ophelia interpret this event?
      Hamlet’s appearance was in disarray (Ophelia stated "as if he had been loosed out of hell), they both thought that Hamlet was mad for Ophelia’s love
      Do you agree with Polonius and Ophelia’s assessment [of Hamlet’s craziness]?Is Hamlet’s scene in Ophelia’s chamber a sign that he has been driven crazy by love for her, or is it a sign of something else? If something else, then what?
      (This is more of an opinionated question, so you can just think of the answer on your own.)
      What is the relationship between Rosencrantz and Guildenstern and Hamlet? Why do Claudius and Gertrude bring Rosencrantz and Guildenstern to court?
      They grew up together.Claudius and Gertrude want them to help Halmet by spending time with him, but also they are hoping that they can figure out why Hamlet is mad
      What similarity exists between the action of the king and queen with regard to Hamlet and the action of Polonius, in the preceding scene, with regard to Laertes?
      They both are sending someone to figure out things about their son
      What is the News from Norway? What does Norway request of Claudius?
      The King of Norway (Fortinbras Uncle) thought the war was going to be against the Polack, so when the king found out, he ordered Fortinbras to step down. Now the King of Norway request that their troops pass through Denmark in order to get to the Polack.
      In the matter of Fortinbras, does Claudius respond in a wise, kingly matter?
      The King says that he likes the idea, but at a different time he will read and answer and think upon it first. (You can decide if you think this is kingly or not.)
      What suggestion does Polonius make to the king and queen to explain Hamlet’s madness? What stratagem does Polonius suggest they employ to test his theory?
      Polonius suggests that Hamlet is mad because Ophelia began to reject him, and he is mad for her love. He suggests that they bring Ophelia and Hamlet together, and listen in on their conversation.
      What do you think of Polonius’s method of testing his hypothesis? Is it moral to do what Polonius suggests that they do?
      (This is more of an opinionated question, so you can just think of the answer on your own.)
      What does Hamlet call Polonius in scene ii, line 400? Earlier in the scene, what does he tell Polonius that he should do in regard to his daughter?
      "O Jephthah, judge of ISrael, what a treasure hadst thou!" (Hamlet is comparing Polonius to Jephthah because both doomed their daughters to not having normal, full lives.) Earlier in the scene, he tells Polonius to not let Ophelia "walk in the sun" (Do not let Ophelia walk in the sun for, like the dead dog who bred maggots, she may conceive a child, and that might not be a blessing. The word "sun" may be in this case, a reference to Hamlet.)
      What reason might Hamlet have for calling Polonius what he does in scene ii, line 400?
      (I’m not really sure about this one… If anyone knows, let me know and I’ll put it on here!)
      What does Hamlet tell Rosencrantz and Guildenstern that denmark is like? About what does he demand that they be truthful with him?
      He compares Denmark specifically but also the world as a whole to a prison. He wants them to admit that they were sent for by the King and Queen.
      What is Hamlet’s mood in act II? Why does Hamlet not treat his companions with genuine warmth and welcome?
      He seems very angry at everyone, and at life. He doesn’t treat them well because he thinks that his friends aren’t truly there for him, and were only there because they were sent for by the King and Queen. He hadn’t seen them for a very long time, and now they come.
      When speaking to Rosencrantz and Guildenstern, what does Hamlet tell them that the earth and the air are like to him? How does he say that he feels about men and women?
      "The earth, seems to me a sterile promontory (barren rock or land jutting into the sea); this most excellent canopy, the air, look you, this brave o-erhanging firmament, this majestical roof fretted with golden fire, why, it appeareth nothing to me but a foul and pestilent congregation of vapors. What a piece of work is a man, how noble in reason, how infinite in faculties (abilities, both mental and physical), in form and moving how express and admirable, in action how like an angel, in apprehension, how like a god! the beauty of the world the paragon (highest model) of animals; and yet to me what is this quintessence of dust? Man delights not me– nor women neither, though by your [Rosencrantz and Guildenstern] seem to say so."
      In short: The world is sterile and empty, like dust
      Do you believe that Hamlet really has the opinions that he shares with Rosencrantz and Guildenstern? If so, what is Hamlet’s state of mind? If Hamlet does not have these opinions, why does he say these things?
      (This is more of an opinionated question, so you can just think of the answer on your own.)
      What speech does Hamlet ask the player to recite? How does Hamlet react to hearing the speech?
      Aeneas’ tale to Dido, speciffically about Priam’s murder.He says that the speech was very good and they should be treated well. He also compares himself to Hecuba and feels like a coward.
      Why does Hamlet ask that this particular speech be recited? Why does Hamlet react as he does on hearing it?
      (I don’t know the answer to this one either, so let me know if you do and I’ll add it!)
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      hannahwinner1

      Hamlet Act 2 Questions

      STUDY

      PLAY

      1. What plan does Polonius concoct using Reynaldo? Be specific with what he is having Reynaldo do…What kind of person does this make Polonius?
      Polonius makes a plan where Reynaldo has to spy on Laertes to see if he’s up yo bad things. This makes him passive-aggressive and sneaky, shows that he doesn’t trust him.
      2. What does Polonius think is wrong with Hamlet? Why does he think this?
      Polonius thinks that Hamlet is crazy because he’s in love with Ophelia. He has to tell the king that that’s why he’s crazy.
      3. Why are Rosencrantz and Guildenstern invited to the castle?
      Rosencrantz and Guildenstern because they are Hamlet’s childhood friends and he wants to see if they can get his spirits up and find out wrong with him.
      4. What news does Voltemand give the king?
      Voltemand tells the king that Fortinbras did get together an army to attack Denmark. Fortinbras swears tot he king he’s going to do it again. He asks to march through Denmark to attack Poland.
      5. What is Polonius’ purpose in conversation with Hamlet? What is Hamlet’s purpose?
      Polonius’ purpose in the conversation is to feel out Hamlet and try to figure out what’s wrong with him. Hamlet just talks circles around him and makes fun of him without him realizing.
      6. Give an example or two of Hamlet’s "mad," yet quick wit.
      An example of his wit is when he’s talking to Polonius and says obvious answers that are witty and somewhat sarcastic, also when he makes fun of him in short comments that Polonius doesn’t get.
      7. What kinds of images does Hamlet use when discussing his view of the earth with Rosencrantz and Guildenstern? (ll. 298-316) What is causing him to feel this way?
      Hamlet describes the earth in a good way and makes it seem beautiful. But when he talks about the way he sees it he views it as a boring rock and doesn’t think its beautiful. He sees it as a bunch of vapors that choke you. He feels this way because he is relating all men to his uncle who he hates, and he feels like everything is going against him right now.
      8. What requests does Hamlet make of First Player? What do you think he is up to?
      Hamlet request to act out a murder and add lines. He’s going to portray how Claudius killed his dad.
      9. Why does Hamlet choose to use this play as part of his plan rather than just killing Claudius? Why is he delaying in taking revenge?
      Hamlet chooses the play to be part of his plan so he can see Claudius’ reaction to make sure he actually did it and its a good ghost and not a bad one. He’s delaying is because he’s scared or nervous about killing him so he’s stalling.
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