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Charlie Chaplin – The Idle Class (1921)



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The Idle Class

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Hello to everyone, Im Paul and I write movie reviews for this website Few hours of great experience youll remember for life. By far, this is the best movie I have ever seen in my life. This movie was so great it drove me to write here review, first time for a long time really. Youll change your mind after watching this movie, Im sure. The music is seriously soul of this movie. You know what? This movie should be at least twice as recognizable as it is. This was unexpected, I thought The Idle Class will be terrible, but I loved it. You dont need to register here to watch this movie online, it is available for free on your iphone and computer. I hope you liked my review, now dont waste any moment and start watching The Idle Class.

Show plot description

Genre:
Comedy

Actors:
Charles Chaplin , Edna Purviance

Directors:
Charles Chaplin

Country:
United States

Quality: HD

Release: 1921

IMDb: 8,2

Duration: 32 min

Views: 17

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Text editor to open big (giant, huge, large) text files [closed]

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up vote
1023
down vote

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412

I mean 100+ MB big; such text files can push the envelope of editors.

I need to look through a large XML file, but cannot if the editor is buggy.

Any suggestions?

windows xml editor text-editor large-files
share

edited Mar 14 ’10 at 20:24


community wiki

6 revs, 5 users 56%
Dave Jarvis

closed as not constructive by Kev Jan 27 ’12 at 1:47

As it currently stands, this question is not a good fit for our Q&A format. We expect answers to be supported by facts, references, or expertise, but this question will likely solicit debate, arguments, polling, or extended discussion. If you feel that this question can be improved and possibly reopened, visit the help center for guidance. If this question can be reworded to fit the rules in the help center , please edit the question .

locked by Matt Sep 2 ’15 at 20:08

This question’s answers are a collaborative effort: if you see something that can be improved, just edit the answer to improve it! No additional answers can be added here

  • 166

    Actually, text files of 100+ MB or even 1+ GB is not as uncommon as you may think (i.e. log files from busy servers).
    –  Anders Sandvig
    Dec 19 ’08 at 19:18

  • 15

    Sneakyness: And not exactly text. I think the requirements of reading text files and reading binary files differ somewhat. You might pass it through base64 or uuencode, though.
    –  Joey
    Aug 16 ’09 at 10:24

  • 2

    This should be at least a similar question or even linked as it was asked 18 months prior… stackoverflow.com/questions/102829/…
    –  ONDEV
    Jan 19 ’12 at 0:49

  • 1

    I was also looking for the answer to this exact question in order to read some huge log files that I’ve generated!
    –  HorseloverFat
    Jul 20 ’12 at 16:19

  • 1

    @BlairHippo I feel the same way, I’m almost nervous when asking a question because chances are high that someone will say "Close this, it should go in WhateverExchange instead"
    –  Rodolfo
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comments disabled on deleted / locked posts / reviews  | 
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2 Answers
2

active

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up vote
1120
down vote

accepted

The 010Editor on Windows will open GIANT (think 50 GB) files in binary mode and allow you to edit and search the text.

Community wiki:

Suggestions are

  • HTMLPen.com is a free online editor that can open and highlight syntax TB+ files instantly, supports UTF-8, and can run on a modern browser in any OS. (read-only for big files)
  • Liquid Studio Large File Editor Opens and edits TB+ files instantly, supports UTF-8, Unicode, etc. It is free and covered by the community edition (Windows Only).
  • SlickEdit
  • Large Text File Viewer (read only)
  • glogg (read only, read the file directly from disk, handle multi-GB files).
  • HxD hex editor, but good for large files.
  • LogExpert ( download ) did a swell job for more than 6 GB log files. It is free.
  • UltraEdit can open files of more than 6 GB, but the configuration must be changed for this to be practical (menu AdvancedConfigurationFile HandlingTemporary Files“Open file without temp file…”).
  • wxHexEditor can open such files instantly, working on Linux, Windows, MacOSX
  • EmEditor handles very large text files nicely, officially up to 248 GB but up to 900 GB in my experience.

Or, if you just want to peek at the start of the file, the Windows built-in more command might be good enough.

share

edited Jun 30 at 21:04


community wiki

31 revs, 22 users 23%
Kais

  • 52

    VIM, or Emacs… pick your poison, both will handle any file you throw at them. I personally prefer Emacs, but both will beat notepad without so much as a hiccup.
    –  Mike Stone
    Oct 2 ’08 at 8:46

  • 24

    Emacs has a maximum buffer size, dependent on the underlying architecture (32 or 64 bits). I think that on 32 bit systems you get "maximum buffer size exceeded" error on files larger than 128 MB.
    –  Rafał Dowgird
    May 8 ’09 at 13:45

  • 64

    I just tried Notepad++ with a 561MB log file and it said it was too big
    –  barfoon
    Jun 2 ’09 at 14:12

  • 9

    @Rafal Interesting! Looks like on 64bit it is ~1024 petabytes. The reason has to do with the fact that emacs has to track buffer positions (such as the point)
    –  baudtack
    Jul 1 ’09 at 23:31

  • 70

    But be careful, vim will only work as long as the files in question have enough line breaks. I once had to edit a ca. 150 MB file without any line breaks, and had to resort to gedit because vim couldnt handle it.
    –  Benno
    Jan 29 ’10 at 16:47

 | 
show 53 more comments


up vote
167
down vote

Why are you using editors to just look at a (large) file?

Under *nix or Cygwin , just use less (“less is more”, only better, since you can back up). Searching and navigating under less is very similar to Vim , but there is no swap file and little RAM used.

There is a native Win32 port of GNU “less”. See the comment below.

Piggybacking off of some of the comments below, Perl’s “..” (range flip/flop) operator makes a nice selection mechanism to limit the crud you have to wade through, as well.

For example:

$ perl -n -e 'print if ( 1000000 .. 2000000)' humongo.txt | less

(start at line 1 million and stop at line 2 million, sift the output manually in “less”)

$ perl -n -e 'print if ( /interesting regex/ .. /boring regex/)' humongo.txt | less

(start when the “interesting regular expression” finds something, stop when the “boring regular expression” find the end of an interesting block — may find multiple blocks, sift the output…)

Finally, 100 MB isn’t too big. 3 GB is getting kind of big. I used to work at a print & mail facility that created about 2 % of U.S. first class mail. One of the systems for which I was the tech lead accounted for about 15+ % of the pieces of mail. We had some big files to debug here and there.

Community Wiki Suggestions:

Use LogParser to look at the file:

logparser.exe -i:textline -o:tsv "select Index, Text from 'c:\path\to\file.log' where line > 1000 and line < 2000"
logparser.exe -i:textline -o:tsv "select Index, Text from 'c:\path\to\file.log' where line like '%pattern%'"

share

edited Apr 29 ’15 at 14:37


community wiki

6 revs, 4 users 48%
Roboprog

  • 7

    +1, I recently had some really huge xml files (+1 gigabyte) that I needed to look at. I’m on windows and both vim, emacs, notepad++ and several other editors completely choked on the file to the point where my system almost became unusable when trying to open the file. After a while I realized how unnecessary it was to actually attempt to open the file in an -editor- when I just needed to -view- it. Using cygwin (and some clever grep/less/sed-magic) I easily found the part I was interested in and could read it without any hassle.
    –  wasatz
    Apr 23 ’10 at 11:56

  • 8

    you don’t need cygwin for less, you can also use it under windows: gnuwin32.sourceforge.net/packages/less.htm
    –  ChristophK
    Nov 2 ’11 at 9:33

  • 2

    This XML editor here has also a large file viewer component and does provide syntax coloring also for huge files. The files are not loaded completely into memory so a multi-GB document shouldn’t be a problem. In addition this tool can also validate those big XML documents … In my opinion one of the best approaches to work with huge XML data.
    –  lichtfusion
    Apr 21 ’13 at 12:38

  • 5

    OK so I just fixed my own issue. less with word wrap is slow. less -S without word wrap is lightning fast even on large lines. I’m happy again!
    –  Andy Brown
    Jul 20 ’15 at 9:41

  • 3

    Great answer. I want to note that if you have Git for Windows installed, you probably have Git bash as well, which includes less.
    –  transistor1
    Jun 24 ’16 at 12:24

 | 
show 5 more comments

protected by Community Sep 9 ’11 at 3:11

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kemal english version

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LT → Greek , English → Manos Hatzidakis → Κεμάλ → English

Manos Hatzidakis – Κεμάλ (English translation)

  • Artist: Manos Hatzidakis (Μάνος Χατζιδάκης, Manos Hadjidakis, Manos Hatsidakis)
  • Song: Κεμάλ
    5 translations
  • Translations: English #1 , #2, French , Portuguese , Turkish

Proofreading requested
English translation

Kemal

Versions: #1 #2
“listen” now to the story of Kemal
a young prince of the east
descendant of Sinbad the mariner
who believed he would “change” the world
but, bitter are the “intents” (plans, designs) of Allah
and “dark” the souls of humankind
 
In the Far East least of places
Once upon a time too long ago
A flask lay down empty
Water moldy all along
In town Mosul in town Basra
Ατ the old date palm tree
Weary now cry the children
of the desert ancestry
Only a youth of chosen legacy
only a scion of royal blood
Shrieks the mourning song of woe
and heads towards the old tree
 
Bedouin folk stare and wonder
With eyes full of misery
Oath to Allah he now binds them
Yearning years are about thy
Lords high mighty caught a glimpse
of the youth’s nigh bravery
Off they go the wrathful wretches
Wolves of envy Lions of sin
Two the rivers trailing heaven
Euphrates and Tigris both
Wide and wild goes the hunting
for the renegade son
 
On him falls the scourge like rabid
lithe unruly hounds of gore
Tied chained he meets the Hangman
Caliph’s vengeful horrid hand
Black the promise milk and honey
of the rushing morning scene
All for giving up his promise
Gasping one last final glee
Figures holding fast the shutters
Pair of camels red scarf wind
Prophet solemnly stands porter
Paradise now welcomes thy
 
Side by side high and low
clouds gather as they strove
If not only for Damascus’s
Soaring glory star of hope
A month and a year later
face they gaze to Allah
Who all knowing and all forceful
Speaks his truth to rash Sevah
My downtrodden dandy
come what may men don’t change
Whole cold steel and blazing fire
Realms of men are born to be
 
Sweet night to thee Kemal
This is how life shall ever be
 

Submitted by Isokratis on Mon, 31/05/2010 – 20:58
Thanks! thanked 9 times
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Greek

Κεμάλ

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More translations of “Κεμάλ”
English
azimut
English Isokratis
French
Smokey Meydan
Portuguese
Theo Bourliaskos
Turkish
notaprincess9

Manos Hatzidakis: Top 3
1. Ta paidia tou Peiraia
2. Sagapo (Σ αγαπώ)
3. T asteri tu voria (Τ αστέρι του βοριά)
See also
Greek:  Popular Artists | Popular Songs
English:  Popular Artists | Popular Songs
Greek → English:  All Translations

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Contribution: 1 translation, thanked 9 times

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Anatomy of Melancholy

"Like all men, he was given bad times in which to live." Borges

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« Too melancholy for words
Another by Gatsos »

Goodnight, Kemal

Monday, November 8, 2004 by Thomas

Perhaps the greatest Greek song lyricist was Nikos Gatsos (1911-1992). In his entire life, he only published one volume of poetry, Amorgos (1943), which nevertheless was extraordinarily influential for its use of surrealism with Greek elements. The rest of his life was devoted to theatrical translations, especially of Lorca, and to writing lyrics for composers like Theodorakis , Hadjidakis , and Xarhakos. An example of his lyrics, in English translation, is “ We Who Are Left “.

Thinking about what’s in store for the next four years, I remembered this song he wrote with Hadjidakis. I include the Greek lyrics as well. I have taken the translation from a Savina Yannatou CD and changed it. It is at times a strict and at times a free translation. At no time is it a very good one.

The italicised parts are spoken.

Ακούστε τώρα την ιστορία του Κεμάλ
ενός νεαρού πρίγκιπα της Ανατολής
απόγονου του Σεβάχ του Θαλασσινού
που νόμισε ότι μπορούσε ν’ αλλάξει τον κόσμο.
Αλλά πικρές οι βουλές του Αλλάχ
και σκοτεινές οι ψυχές των ανθρώπων…

Στης Ανατολής τα μέρη μια φορά κι έναν καιρό
ήταν άδειο το κεμέρι, μουχλιασμένο το νερό.
Στη Μοσούλη, στη Βασόρα, στην παλιά τη χουρμαδιά
πικραμένα κλαίνε τώρα της ερήμου τα παιδιά.
Κι ένας νέος από σόι και γενιά βασιλική
αγροικάει το μοιρολόι και τραβάει κατά κει.
Τον κοιτάν οι βεδουίνοι με ματιά λυπητερή
κι όρκο στον Αλλάχ τους δίνει πως θ’ αλλάξουν οι καιροί.

Σαν ακούσαν οι αρχόντοι του παιδιού την αφοβιά
ξεκινάν με λύκου δόντι και με λιονταριού προβιά.
Απ’ τον Τίγρη στον Ευφράτη κι απ’ τη γη στον ουρανό
κυνηγάν τον αποστάτη να τον πιάσουν ζωντανό.
Πέφτουν πάνω του τα στίφη σαν ακράτητα σκυλιά
και τον πάνε στο Χαλίφη να του βάλει τη θηλιά.
Μαύρο μέλι, μαύρο γάλα ήπιε ‘κείνο το πρωί
πριν αφήσει στην κρεμάλα τη στερνή του την πνοή.

Με δυο γέρικες καμήλες, μ’ ένα κόκκινο φαρί
στου παράδεισου τις πύλες ο προφήτης καρτερεί.
Πάνε τώρα χέρι-χέρι κι είναι γύρω συννεφιά
μα της Δαμασκού τ’ αστέρι τους κρατούσε συντροφιά.
Σ’ ένα μήνα, σ’ ένα χρόνο βλέπουν μπρος τους τον Αλλάχ
που απ’ τον ψηλό του θρόνο λέει στον άμυαλο Σεβάχ:
Νικημένο μου ξεφτέρι δεν αλλάζουν οι καιροί
με φωτιά και με μαχαίρι πάντα ο κόσμος προχωρεί.

Καληνύχτα Κεμάλ. Αυτός ο κόσμος δε θ’ αλλάξει ποτέ. Καληνύχτα…

* * * * *

Hear now the story of Kemal
A young prince from the East
A descendant of Sinbad the Sailor,
Who thought he could change the world.
But bitter is the will of Allah,
And dark the souls of men …

Once upon a time in the East,
The coffers are empty, the waters are stagnant.
In Mosul, in Basrah, under an old date-palm,
The children of the desert are bitterly crying.
A young man of ancient and royal race
Overhears their lament and goes to them.
The Bedouins look at him sadly
And he swears by Allah that things will change.

When they learn of the young man’s fearlessness,
The rulers set off with wolf-like teeth and a lion’s mane.
From the Tigris to the Euphrates, in heaven and on earth,
They pursue the renegade to catch him alive.
They pounce on him like uncontrollable hounds,
And take him to the caliph to put the noose around his neck.
Black honey, black milk he drank that morning
Before breathing his last on the gallows.

With two aged camels and a red steed,
At the gates of heaven the prophet awaits.
They walk together among the clouds
With the star of Damascus to keep them company.
After a month, after a year, they find Allah
Who, from his high throne, tells foolish Sinbad:
‘O my vanquished upstart, things never change;
Fire and knives are the only things men know.’*

Goodnight, Kemal. The world will never change. Goodnight…

* * * * *When Manos Hadjidakis was living in New York, during the coup of 67-74, he recorded an English version of this song, which actually predates the Greek one, with the New York Rock & Roll Ensemble . It’s rather silly, and a waste of a beautiful melody, although it’s a good album.

*The original says “Only with fire and with knives does the world proceed.”

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Posted in Favourites , Greece , Ελληνικά | Tagged Gatsos , Hadjidakis , Kemal | 48 Comments

48 Responses

  1. on Friday, January 28, 2005 at 9:26 pm Anonymous

    A splendid song, with haunting lyrics and tune, very evocative of the mysterious near east. The theme of the song seems to tie in very much with a fatalistic side of Islam which tends to accept the vicissitudes of the world as being the will of Al Lah.


  2. on Thursday, November 23, 2006 at 9:44 pm Myriam

    great. I was looking for this song for so long. I don´t speak greek, and your english translation helped me a lot. I´m from Argentina, South America, and also I´m Jewish but whenever I listen to this song I cry,wherever I am. No matter where we become, music is an international language , and brings peace. thanks!
    Myriam


  3. on Wednesday, January 24, 2007 at 6:24 am Murat

    Omorfotato tragoudi pou agapw poly! Genika i metafrasi einai kali. Omws kanate ena lathos me to KEMERI, pou einai mia tourkiki leksi. Edw de simainei PURSE alla AQUEDUCT (kanonika legetai SU KEMERI, diladi kemeri NEROU–dld. YDRAGWGEIO– i KAMARA me ton tono sti deftero A). An koitaksete ta symfrazomena, tha deite oti to vasiko provlima pou ithele o Kemal itan leipsydria stin erimo (an diavazoume tous stixous epifaneiaka). Telos pantwn nomizw pws einai kalytero na allaksete ti leksi PURSE…

    Defteron, i metafrasi SPARROW-HAWK kai einai provlimatiko giati sta anglika den exei tin idia connotation, dld. CLEVER… Kai einai eirwniki i xrisi tis leksis (vlepete AMYALO…)

    Mipws o Hrant Dink krataei to xeri tou Kemal ekei panw?

    Me filia…


  4. on Saturday, April 7, 2007 at 5:21 pm nikoky

    the “official” translation as sung in English:

    This is the story of foolish Prince Bass Fiddle and wise Jerry Kemal.
    As you remember, last time, the Prince was found without a dime on the Ponce Valdez while Jerry
    watched from a tree…

    In the land of Ali Baba near the Sea of Babalee,
    Lived a man who played the zither with a pronoun on his knee.
    He would dance among the fuzzy trees and bring the birds to life
    And his name was Prince Bass Fiddle and he loved his ugly wife.

    He would sing the songs of Lutvee in his very special way
    And he puffed tea with his lumpy head and sleep all night and day.
    With his turban and his leicester faced the thieves of Germany
    But beware great Prince Bass Fiddle, you΄ll be hanging from a tree.

    Fifty days and nights they waited for a sign from old Ratan
    To pretend to wear the colours of the Emperor Charlie Chan.
    So they strolled into the forest with a song and energy
    To find bay leaves in the cauldron of the mad witch Betty Lee.

    Came the answer from a leaf top that was found upon the ground
    “Only time and Prince Bass Fiddle will repair your bellies round.
    Search the highlands search the lowlands, cruise the Sea of Babalee,
    But remember that your children need the food from filigree.”

    Then one day in Abalone came a messenger to say
    That onion-head Bass Fiddle broke in half no more to play.
    Will we lose our land of Lutvee to the bearded men of Cleaves?
    Only miracles can save us and some tricks inside our sleeves.

    From the sky there was an answer to the question of the plebes
    “You will meet a tall dark stranger wearing black and blue cannives.
    Who is Lucy, who is Nestor? We should only be there now.
    Why it’s Aphrodite Milton and his keeper Prince Kemal.


  5. on Tuesday, April 10, 2007 at 9:40 am Thomas

    Thanks for posting the English lyrics, nikoky. It allows people to see what a waste of a beautiful melody the English version is. It’s embarrassingly bad.


  6. on Tuesday, August 14, 2007 at 7:15 pm burcak

    murat!
    ne yazdın cok merak ettim.lutfen turkce anlamini yazar misin
    tesekkurler


  7. on Sunday, September 2, 2007 at 12:25 am Andreas

    To tragudi eine teleio apo ka8e apopsi! i istoria tou kemal ine pragmatika i8oplastiki! iperoxo


  8. on Sunday, September 2, 2007 at 12:43 am Andreas

    MALAKIA TO ENGLISH VERSION – DEN TO SIZITW!!! KRIMA TO TRAGUDI MAGKES


  9. on Sunday, October 28, 2007 at 8:27 pm Malena

    ok, thats art’s best hit. all the beautiful words of the world could never describe it perfectly….


  10. on Sunday, October 28, 2007 at 8:38 pm Thomas

    Last January, Murat above pointed out that “sparrow-hawk” in the last stanza was an incorrect translation, and I forgot to correct it. It’s now “upstart”, which is what the Greek can also mean.


  11. on Thursday, February 28, 2008 at 1:49 pm XyD

    There’s a fantastic English version of this song by Raining Pleasure (a Greek band) , probably the best cover of Kemal so far. It’s really worth the time check it out.


  12. on Thursday, February 28, 2008 at 2:03 pm Thomas

    The Raining Pleasure version, and the whole Reflections album in fact, are better than the original. It’s certainly the best cover of the English Kemal, but the lyrics are still stupid and a horrible waste of a good melody.


  13. on Thursday, March 5, 2009 at 4:23 pm ΝΑΣΤΙΑ

    αααααααααααααααα ΔΕΝ ΛΕΩ ΕΙΝΑΙ ΤΕΛΕΙΟ ΤΡΑΓΟΘΔΙ ΑΛΛΑ ΚΑΙ ΛΙΠΙΡΟΟΟΟΟΟ ΜΟΥ ΑΡΕΣΕ ΠΑΡΑ ΠΟΛΙ ΡΕ ΠΑΙΔΙΑ!!!!! ΠΟΥ ΝΑ ΤΟ ΑΚΟΥΣΕΤΕ ΚΑΙ ΚΑΝΟΝΙΚΑ ΣΕ ΚΑΜΙΑ ΦΙΛΑΡΜΟΝΙΚΗ……….ΑΚΟΥΓΕΤΑΙ ΤΕΛΕΙΑ ΜΙΛΑΜΕ!!!!!!!!


  14. on Wednesday, April 29, 2009 at 11:44 am uzi golan

    I am from Israel. I admire the quality of Hadjidakis’s works. Kemal is maybe one of his best. Can anyone refer me to more information about who and why the words were written for this wonderful lyric? Thanks.


  15. on Wednesday, April 29, 2009 at 12:48 pm Thomas

    Uzi, I don’t know anything about where Gatsos got the idea for the story of Kemal. Perhaps it’s based on a folk tale. But I do know one thing about the song, although you might find it’s not as interesting as you’d like.

    I saw an interview once with Lefteris Papadopoulos, another lyricist, and the interviewer had asked him why he had never worked with Hadjidakis. He said they had met once and had agreed to work together, but Hadjidakis asked him to write a song that would have as its title the name of his dog — Kemal. Papadopoulos said he didn’t like the idea, and he lost interest in working with him.

    It seems Hadjidakis got his long-time collaborator Gatsos to write it instead. I think Hadjidakis didn’t care what the song was about, as long as its title was “Kemal”. The rest of it was all Gatsos’s idea.


  16. on Monday, June 22, 2009 at 11:45 am Avner

    “Kemal” has a Hebrew version as well. Its called “Marco Polo” and performed by a popular trio from the 60’s and 70’s, Hagashash.
    Another song from the same album, Dedication, has a particularly good Hebrew version, with lyrics by Naomi Shemer, one of Israel most prominent songwriters.

    Here is the song performed by Chava Alberstein from a 1990 TV show dedicated to Shemer:

    youtube has a few other versions. search for שיר סיום


  17. on Saturday, April 17, 2010 at 6:49 pm i alitheia

    It is very often misunderstood that the original lyrics are by Nikos Gatsos. The original version is the one from Reflections, by the New York Rock n Roll Ensemble, and the lyrics are written by the band. It is Gatsos that was inspired by the “malakia” that was mentioned afore. I’m sorry people, I did not make this, but stop thinking that “Greek is always first”.


  18. on Saturday, April 17, 2010 at 11:15 pm Thomas

    Only Nikoky calls the English version the original one. You’re jumping to conclusions if you assume that everyone thinks “Greek is always first”. (Whatever that means.)

    Everyone else here refers to it as simply the English version. We’re simply saying that the English version, although recorded first, is a piece of shit. Really, no one cares which one came first.

    I refuse to believe that Gatsos was “inspired” by the English lyrics, and challenge you to provide proof.

    The fact that the earlier version was also titled “Kemal” does not mean that Gatsos was inspired by it. In both cases, the English and Greek song was requested by Hadjidakis. Let’s not forget that Lefteris Papadopoulos said (in a televised interview I once saw) that Hadjidakis asked him to write a song titled “Kemal”. Papadopoulos said that Hadjidakis had a dog called Kemal, but the root of the song seems to be quite different.

    This webpage
    ( http://portal.activeradio.gr/forum/index.php?topic=1549.0 )
    quotes Hadjidakis as saying (and I translate):

    “In New York, in the winter of 1968, I met a young 20 year old kid named Kemal. Someone introduced him to me. How great and loaded with memories was this name for such a young and handsome boy, I thought. He had left his country on the pretense of some political oppositions. In reality, I imagined, he wanted to be lost in America. I told him this, and he smiled.

    “‘Can I show you around?’

    “He politely declined. He preferred to be alone.

    “And so when I returned home, I turned him into a song, into music.

    “Later on, Gatsos, writing the lyrics in Greek, made him an Arab prince who defends the weak. Something like an Errol Flynn film from 1935.

    “The people of the Peloponnese, where Gatsos is from, by nature cannot comprehend the sinful quality of the Muslim Turks, who are like electrified clouds over the river Evros, or like lost and proud dogs.

    “The only thing we left intact was the ‘Goodnight, Kemal’. Whether he’s an Arab Prince or a Muslim youth in New York, we owe him a “good night”, so that we can sleep peacefully at night. Without regrets, without useless desires, as Greeks should towards a young Muslim — as our friend Kavafy the poet would say.”

    In the Greek, the second last paragraph is rather hard to understand, and sounds as strange as my translation does. But I believe Hadjidakis is ironically calling Gatsos naive for not seeing Muslim Turks as sinful, as a patriotic Greek would be expected to. After all, in the Greek War of Independence, the Turks probably suffered their worst defeats in the Peloponnese, especially in Tripoli, where Gatsos was from. If history tells the people of the Peloponnese anything, it’s that things only go forward with fire and the knife.

    The original Greek:

    “Στη Νέα Υόρκη το χειμώνα του ΄68, συνάντησα ένα νέο παιδί είκοσι χρονών που το λέγανε Κεμάλ. Μου τον γνωρίσανε. Τί μεγάλο και φορτισμένο από μνήμες όνομα για ένα τόσο όμορφο και νεαρό αγόρι, σκέφθηκα. Είχε φύγει απ΄ τον τόπο του με πρόσχημα κάποιες πολιτικές του αντιθέσεις. Στην πραγματικότητα, φαντάζομαι, ήθελε να χαθεί μέσ΄ στην Αμερική. Του το είπα. Χαμογέλασε.
    -Δέχεστε να σας ξεναγήσω;
    Αρνήθηκε ευγενικά. Προτιμούσε μόνος.
    Κι έτσι σαν γύρισα στο σπίτι μου τον έκανα τραγούδι, μουσική.
    Ο Γκάτσος εκ των υστέρων, γράφοντας τους στίχους στα ελληνικά, τον έκανε Άραβα πρίγκιπα να προστατεύει τους αδυνάτους. Κάτι σαν μια ταινία του ΄Ερολ Φλυν του ΄35.
    Η Πελοπόννησος (καταγωγή του Γκάτσου), από τη φύση της αδυνατεί να κατανοήσει την αμαρτωλή ιδιότητα των μουσουλμάνων Τούρκων, που μοιάζουν σαν ηλεκτρισμένα σύννεφα πάνω απ΄ τον Έβρο, ή σαν χαμένα και περήφανα σκυλιά.
    Το μόνο που αφήσαμε ανέπαφο στα ελληνικά είναι εκείνο το «Καληνύχτα Κεμάλ». Είτε πρίγκιπας Άραψ είτε μωαμεθανός νεαρός της Νέας Υόρκης, του οφείλουμε μια «καληνύχτα» τέλος πάντων, για να μπορέσουμε να κοιμηθούμε ήσυχα τη νύχτα. Χωρίς τύψεις, χωρίς άχρηστους πόθους κι επιθυμίες. Κατά πως πρέπει σ΄ Έλληνες, απέναντι σ΄ ένα νεαρό μωαμεθανό- όπως θα έλεγεν κι ο φίλος μας ο ποιητής ο Καβάφης.”


  19. on Sunday, April 18, 2010 at 12:32 am i alitheia

    I don´t think that the paragraph is vague. Kemal (greek version) wants to change the world, and he sacrifices his life for this. The rest of us have to go back to sleep. That’s what he means, I think.

    I’m also happy that you cite this text, because it didn’t seem that anybody knew it in this blog.

    Now, why I think it is Gatsos that was inspired:

    1. But beware great Prince Bass Fiddle, you΄ll be hanging from a tree.
    2.Fifty days and nights they waited for a sign from old Ratan
    3.“Only time and Prince Bass Fiddle will repair your bellies round.
    But remember that your children need the food from filigree.”
    4.From the sky there was an answer to the question of the plebes

    These concepts and imagery appear in the greek version, obviously. It’s impossible to have been introduced accidentally. So this is your proof. Goodnight, Thomas, Goodnight.


  20. on Sunday, April 18, 2010 at 1:52 am Thomas

    I meant the paragraph before the last one, where he talks about the Peloponnese, not the one where he talks about going to sleep.

    I’m still not convinced. Hadjidakis requested these songs from the lyricists, Clifton Nivison and Nikos Gatsos. I see no reason to suppose that Gatsos, who was a superior poet, would be inspired by nonsense like “food from filigree”, and would sit down and decide to base his lyrics on the first song, especially considering that for the rest of the album he writes lyrics that have absolutely nothing to do with the English originals. This is the only song where Hadjidakis tells them he wants it to be about someone named Kemal. He could very well have given them an outline of what it was to be about, some kind of idea. For the rest of them, Gatsos seems to have had carte blanche.

    Nivison’s lyrics are so bad, he treats English as a second language. His lyrics for “Dedication” are horrible:

    Feels like I’m getting older, I’m not afraid
    Although I’m miles apart from yesterday
    And yet I can’t believe I’m old enough today
    To be in love and feel in love and see if love’s the way

    And you will sing, as long as there’s a song
    The feelings never gone
    It was the first time to be in love
    Maybe tomorrow I’ll never sing again
    But I’ll remember when it was the first time to be in love

    “The first time to be in love” is simply wrong English. I find it hard to believe a native speaker actually wrote this crap. I could go on, but I don’t want to waste any time on it.

    Compare it, though, to the lyrics of the Greek version, Ο Κόσμος Σου Να Είμαι Εγώ. Nowhere near the best that Gatsos has written, but lines like Όποιος χωρίς φεγγάρια φεγγαριάζεται are delightful.

    And is there anything on the English album that can approach the beauty of Περιμπανού?

    Περιμπανού τη λέγαν τα παιδιά, Περιμπανού
    κι ήτανε δεκαπέντε χρονών
    Έγραφε τ’ όνομά της στον καθρέφτη τ’ ουρανού
    μ’ ενός πνιγμένου γλάρου φτερό

    Περιμπανού την έλεγα κι εγώ, Περιμπανού
    κι ας μη με είχε ακούσει κανείς
    Έμοιαζε με κοχύλι στο βυθό του αυγερινού
    προτού καρδιά μου πέτρα γενείς

    Μα της ζωής το κύμα το παράφορο
    σάρωσε βάρκες και κουπιά
    Και στο μεγάλο κόσμο τον αδιάφορο
    ποιος τη θυμάται τώρα πια

    Some of those images are stunningly good. The man was a great poet, not some prog-rock cokehead.


  21. on Sunday, April 18, 2010 at 10:14 am i alitheia

    Well, the criticism of the poetry is something else. I didn’t say that the English version is better than the Gatsos version. This is an assumption of yours. I agree that, if not only for coherence, the lyrics of the greek Kemal are better. But if we do close reading, without depending mainly on our representations and evaluations of the poet himself, there is resemblance, and you have not answered to this one. I challenge you to present proof. I will help you a little: may be this imagery comes from some Oriental stereotypes and this is why we can find these elements in both texts. I still don’t think that this is an adequate explanation. It is probable that Hadjidakis not only requested the song but also informed both lyricists about the symbolism he attributed to the young guy. (In case that you don’t want to think of Gatsos taking a look in the English text: indeed, the fact that the rest of the songs are original doesn’t mean that this stands for this particular, requested song, does it?)


  22. on Sunday, April 18, 2010 at 1:37 pm Thomas

    This is an assumption of yours.

    I made no assumption. I grant you that there are some similarities, but you are forgetting your initial point. You said that Gatsos was “inspired” by this piece of crap. It doesn’t even make sense, and Gatsos wrote something that actually tells a story. Where’s the inspiration? A few similar images does not make inspiration.

    Let’s not get side-tracked by a discussion of similarities, and get back to the initial point that you made: Gatsos was inspired by the English version. Not influenced, but inspired.

    I don’t need to provide proof, although I’m not even sure what you want proof of. You want me to find proof that Gatsos was NOT inspired by it? How do you prove the absence of something? You claimed that he had been inspired by the song. As I said, some similarities do not constitute proof of inspiration.

    The fact that the rest of the songs are original doesn’t mean that this stands for this particular, requested song, does it?

    No, of course it doesn’t. Do you realise you’re saying the same thing as me now? If I say the other songs are different, I’m implying that the two Kemal versions are similar. I mentioned this because the only versions that have any similarity were the one song that Hadjidakis had commissioned, so to speak, from them. This suggests that they have a common source. Hence the similarities. As both of them were commissioned, both of them lack some originality they might have had, had the lyricists been given free reign.

    Your point in your first comment was to inform us, “I’m sorry people, I did not make this [up], but stop thinking that ‘Greek is always first’.” In other words, to inform us that that the Greek version didn’t come first. I’d already said so at the end of the initial post, and the only person who seems to think that the Greek version comes first was Nikoky.

    So, if you want to be a troll, and change your arguments as you go along, there’s usenet and Google Groups. Read more closely and choose your words more carefully if you want to continue posting comments here.


  23. on Wednesday, June 2, 2010 at 6:01 pm Joseph

    Actually, the English version was a very sophisticated and wry comment on the state of social affairs in the United States at the time. It was NOT a waste at all! Extremely sardonic, perhaps. Forty years in time and space have left the meaning unclear for most readers, unfortunately. Michael Kamen and the other members of the New York Rock and Roll Ensemble were Julliard graduates, and quite intelligent, and some of them went on to establish world-wide fame. There was an intelligence behind those lyrics…and Manos Hadjidakis was in attendance during its composition. If he didn’t approve of it, he would have said so.


  24. on Wednesday, June 2, 2010 at 9:46 pm Thomas

    From the sky there was an answer to the question of the plebes
    “You will meet a tall dark stranger wearing black and blue cannives.
    Who is Lucy, who is Nestor? We should only be there now.
    Why it’s Aphrodite Milton and his keeper Prince Kemal.

    You think this is sophisticated and wry?

    I don’t care where the band members went to school. That doesn’t make this tripe poetry.

    As for Hadjidakis, I doubt he knew English well enough to know what good poetry was in that language.


  25. on Monday, July 5, 2010 at 10:48 am Eran

    The NYR&RE lyrics are attributed to Μartin Fulterman (Mark Snow).
    I agree with Thomas that the beautiful melody deserves more profound lyrics.
    However, I do not think the english lyrics should be degraded in such wrath, as they did not pretend to be poetry.
    Apparently, the album “reflections” was recorded as a score for a film that was never produced. Perhaps this has something to do with the theme of the song.

    Unfortunately, the lyrics of the Hebrew version by Dan Almagor (“Marco Polo”) are also humorous, and seem to be an ill use of the great tune.

    Thanks for the translation of the Greek lyrics.


  26. on Monday, July 5, 2010 at 3:12 pm Thomas

    Eran, thanks for leaving a comment. I’ve never heard that it was recorded or written as a score for a film, but it wouldn’t surprise me. After all, what I’ve heard about Sweet Movie, I could imagine the English version of Kemal being in it.

    The wrath, as you call it, comes from making my case so often. Each time I make it, I get more emphatic. If I have to do it once more, I’ll probably just explode.


  27. on Tuesday, July 6, 2010 at 1:40 pm Eran

    You can find the story of “reflections” here:
    http://www.richieunterberger.com/nyrr2.html


  28. on Thursday, February 10, 2011 at 12:34 am Kemal

    Well, its a great song. And I dont want to think its been written to insult Turks cause really surreal and fairy tale descriptions with a lot of fun in it.
    It is surprising that Some greek friends withdraw of Greek assault off of Anatolia is mentioned as “Greek Independence War” 🙂
    Good night Greece, really good night :))


  29. on Wednesday, September 14, 2011 at 11:54 pm Olga

    I would love to find the lyrics and piano music. I am having difficulties. Please help… [email protected]
    Thank you in advance…Olga


  30. on Monday, July 9, 2012 at 6:21 am Γιάννης Στ.

    The “Greek” version is a plain moralistic story that sounds inspired by a Hollywood-quality fairy tale of a naive hero who thought he could change the world. How unique!

    This pseudo-heroism of the lyrics is trashy and plain. Which suits many modern Greeks who cannot comprehend the irony of the music of Hadjidakis and the poetry of Seferis and watch Latin American and Turkish trash on TV just fine.


  31. on Monday, July 9, 2012 at 4:25 pm Thomas

    Γιάννης:
    Are you saying that it sounds inspired, or is inspired, by Hollywood? Why do you say this? Are you taking your cue from Hadjidakis’s Errol Flynn comment? If so, I think you yourself have fallen victim to Hadjidakis’s irony.

    Kemal is naive and idealistic, and so foolish, but I fail to see anything trashy. The word is so inappropriate that I doubt you know what the word connotes. And I have no idea what you mean by plain.

    Also, I fail to see how an appreciation of the poetry of Seferis (or the irony of the poetry of Seferis — it’s not clear which you mean) has to do with appreciating the poetry of Gatsos.

    Let’s try to make sense of your comment. You’re saying the Greek version is not really Greek, it’s moralistic and a Hollywood cliche. Furthermore, it’s trashy (whatever you mean by that). And yet (and here’s the best part) those who fail to see that it’s all these bad things do so because they fail to see Hadjidakis’s irony. Huh? So, Hadjidakis deliberately made a bad song, and those who think it’s good do so because they watch too much Latin American and Turkish trash on TV. (What’s wrong with Greek trash, by the way? Not bad enough for you?)

    You’ll probably say I haven’t understood your point, and you’ll probably be right. But that’s because it’s such a mess that nothing logical can be extracted from it. Try thinking more clearly next time. And if that doesn’t work, try something else. Maybe it’s just not your cup of tea.


  32. on Monday, March 11, 2013 at 3:06 am Peter Katsa

    Although it reads differently the meaning can still be the same as both statements can be sad as the world will never be rid of violence.


  33. on Thursday, May 30, 2013 at 2:33 pm γιώργης

    today in Greece a school director forbidden to a school teacher to teach this song because the parent of one kid said that this is islamc propaganda.
    we live in very sad times. as Manos Hadjidakis said, “if you look the face of the monster for too much time, you forget how monstrous it is”


  34. on Tuesday, June 4, 2013 at 7:39 am النظر في وجه الوحش مطولا | بعدما دخلت الآلة في الصحراء

    […] Translation by Anatomy of Melancholy […]


  35. on Tuesday, July 23, 2013 at 11:41 am Complaint of censorship of a Hadjidakis song in the classroom goes viral, sparking controversy | The Irate Greek

    […] The teacher has not filed an official complaint at this point, and, when contacted by radiobubble, said that she would seek to resolve the issue under standard procedures of the education administration. It is unclear whether other, similar incidents have occurred in the school in the past. It must be noted that under legislation recently pushed through by the government, the teacher may be put on furlough merely for having been the subject of disciplinary action.  Hadjidakis is considered as one of the greatest modern Greek composers, with tens of international awards and distinctions, among them the Oscar – which he rejected – for his score of Jules Dassin’s movie Never On Sunday, which includes the legendary song The Children of Piraeus. His song Kemal talks of the fairy tale of an Oriental prince who fought for justice only to be assassinated by his oppressors.  The composer’s popularity in Greece never waned after his death in 1994. In 2009, radiobubble organized an internet tribute to Manos Hadjidakis, which drew participation from more than 100 blogs. Today, in reaction to this latest incident of censorship, you will find texts, photographs and songs of the composer under the hashtag #Hadjidakis on Twitter, with the slogan “we’ll never get used to it.” You can listen to the song Kemal below and read a translation of the lyrics (from the blog Anatomy of Melancholy) […]


  36. on Tuesday, July 23, 2013 at 3:54 pm Complaint of censorship of a Hadjidakis song in the classroom goes viral, sparking controversy | Ώρα Κοινής Ανησυχίας

    […] You can listen to the song Kemal below and read a translation of the lyrics (from the blog Anatomy of Melancholy) […]


  37. on Tuesday, July 30, 2013 at 12:46 am vta

    @Γιάννης Στ.- Oh, you’re so smart and knowing!


  38. on Tuesday, October 29, 2013 at 12:36 pm David Cade

    The English translation of the Greek lyrics, at the top of this page, are deep with meaning. The New York “translation” is simply nonsense, though somewhat amusing.

    The more accurate translation dwells on the fact that so often in our world, in any culture and in any religion, there are good-hearted folk who seek to do good but so often they are thwarted in their efforts by fearful local authorities, civic and religious.

    The fact that the action of this song occurs in a Muslim setting is irrelevant. The universal truth of the song applies to any context where authorities fear the improving actions of those below them. Along with a magical melody and beautiful harmony, this universal message is what makes the original Greek version of Hadjidakis’s “Kemal” such a powerful song.

    It is laughable that a parent in Greece has complained that to teach this song in school is to promote Islam. The teacher concerned is to be congratulated for resisting the intimidation he has suffered. In fact, he has behaved admirably and much like the “young man of ancient and royal race” referred to in the song!

    I don’t refer to this song, “Kemal”, in my book “Athens – The Truth: Searching for Manos, Just Before the Bubble Burst”, but I hope that anyone who appreciates the extraordinary music of Manos Hadjidakis will find many things of interest in it. I have loved and admired the music of Hadjidakis for 45 years.

    The paperback edition can be ordered, at a discount and with FREE postage to any part of the world, from:

    http://www.bookdepository.co.uk/Athens-Truth-David-Cade/9780955209031

    The Kindle Edition is available from:

    Best Wishes.


  39. on Thursday, February 20, 2014 at 8:43 am spiros grigoriadis

    Hello to all. My name is Spiros and I am greek.
    @Thomas. You say about the original version “It’s rather silly, and a waste of a beautiful melody, although it’s a good album.” I totally disagree with you and totally agree with Γιάννης Στ. You think Manos was so naive? You don’t know things well. Manos and New york rock n roll ensemble cooperated for the lyrics and Manos also instructed the group about the lyrics- at least that is wat Michael Kamen has said on an interview I have read. For me the original version of Kemal is far far better than the greek. But the greek version is more approved and Γιάννης Στ. explains this well. And the orchestration on the greek album is awful and for me the worst album for Manos Hadjidakis. New york rock n roll ensemble are amazing musicians and songwriters. You can hear their discography on my channel on youtube: Spiros Grigoriadis.


  40. on Thursday, February 20, 2014 at 1:51 pm Thomas

    Sigh. Here we go again, flogging the dead horse.

    I don’t know things well? I will defer to your greater knowledge, then, since you have read an interview and are on a first name basis with Hadjidakis. However, a quick look through the comments above will show that it’s already common knowledge that Hadjidakis in effect ordered the lyrics. Nothing new there.

    I will say this, though: I base my judgements on my own criteria, and do not care one bit what Hadjidakis or Kamen might have thought of the lyrics. I must assume that Hadjidakis liked the lyrics well enough that he did not reject them. I don’t know how good his English was, but he was definitely not a native speaker. Nor was he an English poet. His opinion on the matter, I repeat, is of no interest to me. I would not be persuaded to like the lyrics simply because I had heard that he thought they were good. I would simply disagree with him.

    What’s most amusing is you ask whether I think he was so naive for approving of lyrics written in English, and then you have no problem questioning his judgement about his own orchestration on his own album. Do you think he was so naive? He was, after all, a composer and a musician. If his opinion bears special weight in the matter of lyrics, why then does it not in the matter of music?


  41. on Thursday, February 20, 2014 at 2:14 pm David Cade

    I’ve studied most of Hadjidakis’s own verses closely, and I’d agree that, yes, indeed, Hadjidakis was first and foremost a composer and musician. His abilities in melody and harmony were remarkable, and it’s they that explain his continuing and exceptional popularity. And I think it’s that remarkable melody and harmony of “Kemal” which drives people to focus attention on the third feature of that particular song: it’s words.


  42. on Thursday, February 20, 2014 at 2:46 pm spiros grigoriadis

    We disagree in some points but this is ok! I don’t want to persuade you to like the original lyrics. If you don’t like them it is your choice and is respectable. As far as I know from a friend who knew personally Manos he told me that when he was making the greek version of reflections didn’t care a lot and made it a little quick. This is not an official fact of course but an information from person who knew him. I have no reason to believe it only because I just heard it, but comparing to other albums of Manos Hadjidakis I believe this one doesn’t reflect his value as a musician and composer.


  43. on Thursday, February 20, 2014 at 10:40 pm spiros grigoriadis

    sorry a correction on what I said before (” doesn’t reflect his value as a musician and composer”.) I was talking about the orchestration not about the composition. The orchestration of the greek album is not good in my opinion.


  44. on Friday, February 21, 2014 at 1:01 pm David Cade

    Spiros, I agree with you that in all the hundreds of different orchestrations of Hadjidakis’s extraordinary songs, the quality of the work has certainly varied! They range from base to sublime, don’t they? 🙂


  45. on Saturday, February 22, 2014 at 10:22 am spiros grigoriadis

    I agree David 🙂


  46. on Tuesday, February 25, 2014 at 2:24 pm Anastasios

    Was very suprised to find such an extensive -and ongoing!- discussion on a rather obscure -or so I thought- song, esp. when initiated by a non-Greek.
    I had always thought of the greek version as the “original”, since it’s release in the “Αντικατοπτρισμοί” album (btw, “Reflections” literally translates as “Αντανακλάσεις”, whereas “Αντικατοπτρισμοί” literally translates as “Mirrages” -“from “κάτοπτρον” = mirror), only to find out, many years after Hadjidakis was gone, that the whole album was in fact a re-make of the NYRE version that preceded it by more than two decades.
    I wouldn’t write-off the original english lyrics as outright “silly” or a waste of the -great!- melody. In my opinion, Hadjidakis should have liked this idyl with the nonsensical, if we take into account the historical context of the album’s release. If the Beatles could do it (think “Mundo paparazzi mi amore chica ferdy parasol, cuesto obrigado tanta mucho que can eat it carousel”), then why not NYRE and Hadjidakis?
    The Gatsos’ lyrics, on the other hand, far more refined as they come from the hand of a master poet, do seem naϊve, but I think that they are intentionaly so. The song’s moral, that change only comes through strife, might be a simple one, but also is profoundly and universaly true. This simple tale, of a young Arab prince, serves the song just fine to make it’s point. Simple like an Aesop’s fable.

    Reflections is a great album, and I do consider it as one of Hadjidakis’ greatest. I think of it more as a collaboration, as it represents a major departure from the composer’s style, although his distinctive signature is always present in the melody (Hadjidakis seemed to have an inexaustable source for melody, it is very difficult to find him repeating himself). The greek version, “Αντικατοπτρισμοί”, with singer Aliki Kagialoglu has a very different approach, is actually a re-work from scratch. It is also one of my favorites. I personally prefer the original, NYRE version, over the Raining Pleasure re-recording of the album (although inferior in the quality of the recording). My favourites are Dance of the Dogs (I prefer the greek version, with the Gatsos’ lyrics, here) and Bitter Way (IMHO one of Hadjidakis’ most melancholic and haunting melodies).


  47. on Tuesday, February 25, 2014 at 2:55 pm Thomas

    Anastasios, you make a good point regarding the Beatles, but I would argue that Lennon’s brand of nonsense was a different kind. I can’t call something silly when it makes no sense whatsoever. I would, in other words, make a distinction between silly and nonsensical, although some people would argue that the English Kemal lyrics are nonsensical. My argument is probably not that logical. I’m simply trying to account for my personal taste.

    Another point that is important for me is that when Lennon, influenced by Lewis Carroll, was writing “I Am The Walrus”, to give another example, he was doing something that had never been done before in popular music, or possibly any music. It was a bandwagon that everyone soon jumped onto, and should have got off sooner than they did. I’m personally not so demanding of the Beatles when it comes to their lyrics. If the music’s good enough, I’ll overlook the lyrics. My favourite track on Abbey Road is “She Came In Through The Bathroom Window”, but the lyrics have nothing to do with why I like the song.

    The big difference for me is that, like you, I learned the Greek version first, and then was disappointed with the English version. But even if it had happened the other way around, I would have grown disappointed with the English version. The Greek version stands, for me, as what a great song can be, and there is an appropriate balance between words and music.

    By the way, if you look more closely at the lyrics of the Greek version, you’ll see that there is no reason to think that the moral is that change comes only through strife. There is strife, but no change. Everything Kemal has done is in vain. Nothing ever changes in this world, and Kemal is a fool for not having known this. (I originally posted this when George Bush won his second term, hence my reference to “what’s in store for the next four years”.)

    Also, I assume by “non-Greek” you meant me. I am Greek, however.

    Thanks for dropping by and commenting.


  48. on Thursday, August 7, 2014 at 11:46 pm Elias

    I’ve always found the Greek lyrics boring, dead serious, and preachy. Tell you the truth, I can’t even stand it. On the other hand, the English version has always been a breath of fresh air, a thousand times more interesting than the Gatsos version (in my ears); I find it amusingly surreal, cute, and light-hearted.

    De gustibus non est disputandum, of course. I know, I won’t convince you and you won’t convince me. Just pointing out how the same song can have different receptions. Beauty is in the eye of the beholder, and Kemal is in the ear of the listener.


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theoretical plate chemistry definition

Chemistry Dictionary

Definition of theoretical plates

represents how many times you do a separation in purification; can be used to describe column chromatography, GC, or HPLC.


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What does THEORETICAL PLATE mean?

Definitions for THEORETICAL PLATE
THEORETICAL PLATE

Here are all the possible meanings and translations of the word THEORETICAL PLATE.

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  1. theoretical plate(Noun)

    A plate or tray in a distillation column that produces the best possible difference between the liquid and vapour phases in equilibrium with it; the equivalent concept in a fractionating column packed with beads or rings

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  1. Theoretical plate

    A theoretical plate in many separation processes is a hypothetical zone or stage in which two phases, such as the liquid and vapor phases of a substance, establish an equilibrium with each other. Such equilibrium stages may also be referred to as an equilibrium stage, ideal stage, or a theoretical tray. The performance of many separation processes depends on having a series of equilibrium stages and is enhanced by providing more such stages. In other words, having more theoretical plates increases the efficacy of the separation process be it either a distillation, absorption, chromatographic, adsorption or similar process.

Numerology

  1. Chaldean Numerology

    The numerical value of THEORETICAL PLATE in Chaldean Numerology is: 7

  2. Pythagorean Numerology

    The numerical value of THEORETICAL PLATE in Pythagorean Numerology is: 8

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  • सैद्धांतिक प्लेट Hindi

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team vision statement definition

Extraordinary Team Blog

What’s the Difference Between Team Mission and Team Vision?

Posted by Kristin Arnold on October 26, 2007

Q. What’s the difference between mission and vision? Our team is spending a lot of time on defining our mission and vision. Why do we have to do this?

A. I can understand your confusion over “the vision thing.” Many people get confused about mission and vision. So let’s start with some simple definitions:

The mission defines your team’s core purpose or reason-for-being as concise and clear as possible. The mission is the foundation for all team’s efforts. It defines what the team does, and more importantly, defines what it doesn’t do.

A vision, on the other hand, is the team’s declaration of its future. Vision is a long-term, over-arching team goal.

The vision typically states:

  • What and where the team wants to be: A vivid description of the most desirable future.
  • When the team wants to achieve this… usually three to seven years in the future.

A well-crafted vision paints the picture of the preferred future and can energize a team to move forward in a unified direction. It should excite and inspire the team so that all their actions can support the expressed vision.

Quite simply, a mission describes what business your team is in. It defines what you do. Vision describes where you are going. It is possible that a mission can be stated within a vision, and a vision can be stated within a mission…and then everyone gets confused!

Regardless of what you call it, there are some great reasons why teams should spend some time defining what they do (mission) and where they are going (vision):

  • It provides a sense of purpose and direction to the team.
  • It helps to distinguish your team from others and describe your team’s uniqueness.
  • It gives your team a starting point for defining their strategies, goals and structure.
  • And it becomes a basis for making critical and daily decisions.

Is it worth the time to define the mission and vision? You bet. Otherwise, you have a bunch of individuals working on their own goals and agendas. Just don’t get bogged down in terminology. A statement(s) about what you do and where you are going is the “glue” that holds the team together.

Unfortunately, many teams agonize over mission and vision, wordsmithing the statements until they are perfect. In the meantime, it drains all the energy from the team!

When crafting your mission/vision, let the team contribute the main thoughts, words, phrases, insights and then let a few volunteer team members wordsmith the statement “off-line.” This will save the entire team time, energy, and they’ll remain positive and upbeat about their purpose and direction.

KRISTIN ARNOLD, MBA, CPF, CSP is a high stakes meeting facilitator and professional  panel moderator .  She’s been facilitating teams of executives and managers in making better decisions and achieving greater results for over 20 years.  She is the author of the award-winning book,  Boring to Bravo : Proven Presentation Techniques to Engage, Involve and Inspire Audiences to Action.

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30 Example Vision Statements

Example Vision Statements

Definition

Vision Statement: (Desired End-State) A one-sentence statement describing the clear and inspirational long-term desired change resulting from an organization or program’s work.

The following vision statements were selected from the top 100 nonprofits (based on a series of web, social, and financial metrics).

Details on how this list was compiled can be found by scrolling down to the bottom of the page.

Be sure to also check out our Guide to Creating Vision and Mission Statements as well as our 50 Example Mission Statements for more related help.

Key Findings of 30 Example Vision Statements

  • The best visions are inspirational, clear, memorable, and concise.
  • Avg length for the full 30 organizations listed here is only 14.56 words (excluding brand references)
  • Avg length for the first 15 organizations is only 10.5 words (excluding brand references).
  • The shortest contains only three words (Human Rights Campaign)
  • The longest contains 32 words (Amnesty International)

Free Worksheet

30 Example Vision Statements

Human Rights Campaign: Equality for everyone (3)

Feeding America: A hunger-free America (4 words)

Alzheimer’s Association: A world without Alzheimer’s (4)

Oxfam: A just world without poverty (5 words)

National Multiple Sclerosis Society: A World Free of MS (5)

The Nature Conservancy: To leave a sustainable world for future generations. (8)

Make-A-Wish: That people everywhere will share the power of a wish (10)

Habitat for Humanity: A world where everyone has a decent place to live. (10)

San Diego Zoo: To become a world leader at connecting people to wildlife and conservation. (12)

NPR, with its network of independent member stations, is America’s pre-eminent news institution (12)

Ducks Unlimited is wetlands sufficient to fill the skies with waterfowl today, tomorrow and forever. (13)

Oceana seeks to make our oceans as rich, healthy and abundant as they once were. (14)

In Touch Ministries: proclaiming the Gospel of Jesus Christ to people in every country of the world. (14)

Cleveland Clinic: Striving to be the world’s leader in patient experience, clinical outcomes, research and education. (14)

Save the Children: A world in which every child attains the right to survival, protection, development, and participation. (15)

Teach for America: One day, all children in this nation will have the opportunity to attain an excellent education. (16)

Smithsonian: Shaping the future by preserving our heritage, discovering new knowledge, and sharing our resources with the world (17)

ASPCA: That the United States is a humane community in which all animals are treated with respect and kindness. (18)

Leukemia & Lymphoma Society: Cure leukemia, lymphoma, Hodgkin’s disease and myeloma, and improve the quality of life of patients and their families. (18)

World Vision: For every child, life in all its fullness; Our prayer for every heart, the will to make it so (19)

Clinton Foundation: To implement sustainable programs that improve access worldwide to investment, opportunity, and lifesaving services now and for future generations. (19)

Goodwill: Every person has the opportunity to achieve his/her fullest potential and participate in and contribute to all aspects of life. (21)

Boy Scouts of America: To prepare every eligible youth in America to become a responsible, participating citizen and leader who is guided by the Scout Oath and Law. (24)

WWF: We seek to save a planet, a world of life. Reconciling the needs of human beings and the needs of others that share the Earth… (25)

Kiva: We envision a world where all people – even in the most remote areas of the globe – hold the power to create opportunity for themselves and others. (26)

Amnesty International: A world in which every person enjoys all of the human rights enshrined in the Universal Declaration of Human Rights and other international human rights instruments. (26)

charity: water believes that we can end the water crisis in our lifetime by ensuring that every person on the planet has access to life’s most basic need — clean drinking water. (28)

Special Olympics: To transform communities by inspiring people throughout the world to open their minds, accept and include people with intellectual disabilities and thereby anyone who is perceived as different. (28)

Creative Commons: Nothing less than realizing the full potential of the Internet — universal access to research and education, full participation in culture — to drive a new era of development, growth, and productivity. (30)

VFW: Ensure that veterans are respected for their service, always receive their earned entitlements, and are recognized for the sacrifices they and their loved ones have made on behalf of this great country. (32)

What does this mean for you?

Is your vision statement longer than 20 words? Can you get it below 15? Below 10?  Design your vision statement to clearly communicate what you are working to achieve in a way that people can remember it and communicate this to others. If you can’t get your full vision below 15 words, consider also creating a vision tagline (2-6 words) which people can more easily remember.

How the list was compiled

  • Vision statements were gathered for each of the  top 100 nonprofits  that had published version and then evaluated for content and length.
  • 30 were then selected for this list based on length and organized roughly from shortest to longest (based on number of characters).
  • The number in parenthesis at the end of each line depicts the number of non-branded words included in their vision statement.
  • In order to standardize the list, we removed things like “[Brand’s] vision is” or “The vision statement of [Brand]” when it created redundancy in the beginning of a vision statement.

Also Check Out:

50-example-mission-statements

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This article does not cite any sources . Please help improve this article by adding citations to reliable sources . Unsourced material may be challenged and removed . (September 2008) ( Learn how and when to remove this template message )
Tabor Academy
Established1944 (1944)
Type Academy
TrustLoxford School Trust Limited
HeadteacherElizabeth Robinson
LocationPanfield Lane
Braintree
Essex
CM7 5XP
England
51°53′08″N 0°32′25″E / 51.885443°N 0.540165°E / 51.885443; 0.540165 Coordinates : 51°53′08″N 0°32′25″E / 51.885443°N 0.540165°E / 51.885443; 0.540165
Local authorityEssex
DfE URN 139179 Tables
Ofsted Reports
Capacity1050
StudentsApprox. 990 as of January 2015 [update]
GenderMixed
Ages11–18
HousesTurner, Brunel, Austen and Redgrave
Website www.taboracademy.co.uk

Tabor Academy is a Secondary school with Academy status located in Braintree , Essex , England .

Its Executive Headteacher is Anita Johnson and the Headteacher is Mrs Elizabeth Robinson.

History[ edit ]

The school started life in the early part of the twentieth century on Panfield Lane. While co-educational girls and boys were separated, with the school effectively split into two parts. Later with the introduction of the 1944 Education Act the school opened as a newly established secondary modern school, and was a coeducational school. It was renamed the Margaret Tabor Secondary Modern School. The Tabor part of the name derived from the then local and prominent Tabor family who were major woolen merchants in the 16th century. The family shield was used as the badge of the school, and can still be seen clearly today decorating Bocking bridge near the Old Covent, and on many old buildings in Braintree and Bocking. In September 1972 with the introduction of comprehensive education the school was merged with the local grammar school to form The Tabor High School.
The new school building was first built around 1992, sharing facilities with Braintree Leisure Centre. Since its opening it has been added to in stages. The original site contains 30 classrooms, and was intended to be the new building for the Senior section of the Tabor Science College located a short walk away.
The second stage was completed when the Senior and Middle schools merged, and contains a similar number of classrooms, and the Third stage (a new building built for the languages faculty was completed in the summer of 2006, adding an extra 5 classrooms and a new faculty office and locker space.
The school replaced the Tabor High School as the secondary school for west Braintree and surrounding villages and the old Senior section site was knocked down in 2004.
Steven Clark, its former Principal, was one of the youngest Head teachers in the UK.

The school converted to Academy status in January 2013. It is now part of the Loxford School Trust based in Ilford. Tabor Academy is also a partner in the Braintree Sixth Form which opened on the Notley High School site in September 2009.

School houses[ edit ]

Historically the school developed a reward scheme and mentoring system, all of which was developed by Steven Clark its former Principal.
The school is also split into houses , Brunel house, Turner house, Austen house and Redgrave house. These houses are then split into forms in which pupils from all years are placed. The School’s teacher/student mentoring program for year 11’s helps those under-achieving.

External links[ edit ]

  • Loxford School Trust official website
  • BBC NEWS league tables for Tabor Science College
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